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This is the blog for professional photographers, and those who aspire to be. Our aim is to help professional photographers build long-term, sustainable careers.
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We're excited to announce that we've just added Smooth Matte (offset) and our Fine Art (inkjet) papers to Studio Boxes. Until now they've only been available in our Premium range. We think these beautiful finishes will take your boxes to a whole new level, and to get you started we have an introductory offer. To celebrate, all fully assembled Studio Boxes will be 15% off until the end of September. Just use the code  STANDOUT2020 . View Studio Box Pricing Here → Here's the full list of papers we offer, with links to find out more about the different paper To View More >>

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It's time to celebrate with Studio Samples! Last Friday we launched one of the  biggest updates  in years to our album pricing — and we loved the response to our "unbundling". So to celebrate here's the first of two special offers… Many of you used the lockdown period to rejig your business plans and market offering, which meant — surprise! — lots of requests for another sample sale. We had to hold off while we worked through the repricing, but with that behind us we can go ahead.  All samples — including albums, To View More >>

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Johannes posted a quote from The Velveteen Rabbit by Margery Williams on his blog. It's about what it takes, what it means, to be real. Are you in fashion photography or reality photography? Cheers, Ian PS Surprise surprise, that's a question, not an opinion. PPS Jo and Johannes (not sure which) took the picture. And that's our grand-daughter with Lucy :) To View More >>

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Pete started off his recent posts by saying that colour management is one of the cornerstones of digital photography, but often misunderstood. Let me describe what you can reasonably expect from a sound colour management system consistently applied (certainly not miracles!). What you can expect 1. A reasonable indication of what your final print will look like (assuming you're sending the files print-ready). 2. To avoid gross errors (an Adobe 1998 file treated as if it's sRGB will look strikingly different, especially if colours go out of gamut). 3. Predictability: You can send your files to the To View More >>

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No-one likes piracy, so how can you stop people stealing your digital images? There is only one sure method: Store your data on a computer in a secure office - and don't connect it to the internet. I'm not kidding. I was speaking to a commercial lawyer friend who deals with multi-million dollar litigation, and if his stuff is super-confidential, that's exactly what he does. Recently we had an irate client complain that some of her images had been pirated from Workspace, and ask how we could let that happen. She explained how it was done (I'm not going to tell you) and she was quite right. Within To View More >>

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