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This is the blog for professional photographers, and those who aspire to be. Our aim is to help professional photographers build long-term, sustainable careers.
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The Junction has been a bit quiet lately so I thought I would talk to you about what the developers have been brewing. I have a lot of fruit trees at my place but two of my favorites are a Peachcot and a Peacharine. These are cross pollinations between a peach and an apricot and a peach and a nectarine. Individually beautiful to eat, but when you blend the two together you get something special. The guys at Queensberry and Photojunction have been doing a bit of cross pollinating of their own. Press albums are the new kid on the block for us. Taking two products, both beautiful in their own right, To View More >>

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Why not design your albums in Photoshop or InDesign? A lot of people do, and they're great applications – we depend on them both ourselves. A few thoughts … Adobe don't think designing your albums in Photoshop is a good idea. That's not what it's for. Adobe's page layout software is InDesign. So how much does InDesign know about wedding and portrait photographers, their workflow, their albums and their suppliers? InDesign doesn't know what DPI your lab needs, or what file type, or what size the printed layouts should be, or about bleed and trim requirements, or what colour management processes To View More >>

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More from Mark Miller: Press books - I agree with everything you say. At Focus I had a great conversation with Danny who suggested that 'everyone' did digital, ie it was commonplace with suppliers but that Duos were the really unique albums. I agree. Aren't QBY digital albums really just a fancier, more expensive press-book? Again, that's not meant to be insulting, I'm just trying to add to the conversation. FWIW, I've stopped offering digital albums (other than mini copies) and will move to a Duo only offering for next season. No offence taken. I love our digital albums, and so do many of our To View More >>

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We owe a big thank you to all the people who completed our survey recently. We had a great response, and we thought you'd like to know the outcome. There were two major surprises, as you'll see. 1. We listed all the vendors whose resources we distribute, and asked you to tell us which companies you use. People named an average of two companies each, and some people named several. 2. Over a third named Queensberry as one of their suppliers, but the first big surprise was that 40% of respondents wrote in the name of a company whose resources we don't offer. In fact we discovered that PJ is used to To View More >>

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Meet Dave and Alianor, a tattoo artist from Atlanta, and a Catholic girl from Michigan. Tim Will shot their wedding in Atlanta last year. I could tell you about how the bridal party smoked and drank heavily before the ceremony, or that they carried guns with their names inscribed on the handles, or that the bride married in black. But I won't. Tim's images can do the talking... Instead, I'd rather highlight this album as a great example of how an anything-but-traditional wedding can fit so beautifully into a Queensberry. We're proud that our albums are so flexible and diverse. And that our album To View More >>

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I spent my lunch hour reading a forum post (not here obviously!) about "the best album template software". I guess I may be preaching to the choir, but... 1. Are "clunky" and/or "badly supported" the most common descriptors for album planning software? (We know Remix is "v1.0" right now, but check out our forums - we're committed!) 2. So, why not design your albums in Photoshop? It's exceptional software, but even Adobe doesn't suggest that's a good idea. Adobe's layout software is InDesign, part of Creative Suite. Another great application - we use both ourselves. 3. But what does InDesign know To View More >>

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