At an event like a wedding, who knows what you’re photographing? You might have the last ever photo of Aunty Em with her boys, or the best ever photo of the bride’s school friends, or the only ever photo with her sister who came all the from South Africa.

They may not even be very good — but you don’t know their significance, and they didn’t really cost you anything (unless you spent ages on them in post-production). So you can afford to be generous with them.

That's the very best reason I can think of for supplying the digital files as part of a wedding coverage. Because you'll take a lot of pictures that you can't possibly know the significance of — unless all they want is an extended fashion shoot, and that's all you do for them.

Even after deleting the duds and duplicates there'll be a lot of images, and I don't think it's a good idea to expect everyone to look through them all. In Workspace you might publish a teaser collection with a few images, another with all the big hitters, and a third for for those who really do want to see everything.

Cheers, Ian