Pete started off his recent posts by saying that colour management is one of the cornerstones of digital photography, but often misunderstood. Let me describe what you can reasonably expect from a sound colour management system consistently applied (certainly not miracles!). What you can expect 1. A reasonable indication of what your final print will look like (assuming you're sending the files print-ready). 2. To avoid gross errors (an Adobe 1998 file treated as if it's sRGB will look strikingly different, especially if colours go out of gamut). 3. Predictability: You can send your files to the To View More >>

Ian likes to talk about the good old days, when colour correction and colour management were a matter of picking up the phone and complaining to the lab. OK … I remember them too. Well, you can still outsource colour correction, but colour management is a shared responsibility now. In my earlier post I talk about screen calibration and soft-proofing, which most of us at least know about - but few people understand that taking all the care in the world over those won't be enough if your working environment is wrong. Try this experiment. First thing in the morning, sit down at your desk (where To View More >>

Colour management is one of the cornerstones of digital photography, it is also one of the most misunderstood. Some photographers are experts, some try to ignore the subject, some don't seem to have heard of it, others have read about it on forums or blogs and (kind of) get it. Years ago when our lab went digital, we brought in the experts to help set up our systems and get the best results from our printers. This relationship was not a one-date wonder. Ian and Jessica from NZ Colour Management have consulted to us regularly ever since. One thing's certain. If you use our print-ready service you To View More >>

The Chicago Sun-Times made the news by laying off its entire photography staff last week, leaving 28 people without a job. While we all need to move with the times, the real heart-breaking twist for the photojournalists is that they are to be replaced by reporters who will be taught how to take pictures and videos using iPhones. The story made news around the world, in part perhaps because one of the photographers who lost their jobs was veteran photojournalist - and Pulitzer winner - John H. White, who is featured in this audio: Over the years John White has photographed, among others, Nelson To View More >>

I'm often told that brides do all their research online and communicate with photographers only by email. And that it's normal to book a photographer based on such minimal interaction: "Stephen it's no use. They just want a price. It's all about the deal, so I just give them one and hope." I don't believe it. Or at least, I don't believe it's the only possibility. I wasn't going to start these posts this way, but maybe a simple response to this challenge is useful, something you can use immediately. Anyway, here's how I would reply. Rewrite it in your own words of course, but I hope it helps engage To View More >>

How interesting are your wedding photos? It depends how old they are. If your wedding was a month ago you love them. If your wedding was a year ago maybe you haven't thought about them in a while. If your wedding was twenty years ago you won't have thought about them in years! If your wedding was thirty years ago that hunk you married is someone's granddad. If your wedding was forty years ago, your grandkids are a bit impressed by the hunk that Granddad used to be … and how strangely people dressed back in the day. § After forty years those old pictures are as interesting as they were a month To View More >>

Photographers! No introduction - you won't be sorry you watched it, OK? Matt and Katie, thanks for sharing. Ian Originally posted on Vimeo ;) Hair of the Dog is an annual photography conference in Brisbane Australia. Recommended. To View More >>

No-one likes piracy, so how can you stop people stealing your digital images? There is only one sure method: Store your data on a computer in a secure office - and don't connect it to the internet. I'm not kidding. I was speaking to a commercial lawyer friend who deals with multi-million dollar litigation, and if his stuff is super-confidential, that's exactly what he does. Recently we had an irate client complain that some of her images had been pirated from Workspace, and ask how we could let that happen. She explained how it was done (I'm not going to tell you) and she was quite right. Within To View More >>

To help promote our professional clients we've just updated the Queensberry photographer directory. You can now include up to four images to show off your work. Listings are absolutely free - so if you haven't already, now's the time to add some images and get the Queensberry website working for you. The directory link is right on our home page (Where To Buy) and gets a lot of traffic. When visitors open the directory it automatically searches for photographers closest to them, but they can also enter another location. Listings with images rank first - but distance from the search location and To View More >>

Want your album featured on our Facebook page or blog? Thanks to the PJ team, you can now send us ‘My Album's Hot’ submissions for Pressbooks, Overlay Matted and Flushmount albums (previously only available for Duo and Classic Matted albums). Just tick the box in the PJ album setup screen and your album (or book) will be submitted when you send your order. We aim to choose an album a day for our Facebook page, and one a week to feature on the blog. If your album is chosen, you get free publicity and cross-promotion with Queensberry. It’s a nice marketing opportunity and it only takes the To View More >>