Bride and groom Suganiya and Brahan married in full traditional Sri Lankan Hindu wedding style in early September this year. Haran of Haran Photography traveled from his base in Wellington, New Zealand, to Melbourne to photograph the event. He says it was the longest wedding he's ever photographed (two days), but it was also his most favoured. A day full of colours, meaningful religious rituals, and decorative features made for some stunning images, and a beautiful album... Click here to view more images from Suganiya and Brahan's wedding on Haran's blog. Cheers, Nigel To View More >>

Last Friday NZT Stephen, Danny and Ian ran an impromptu webinar to introduce the Queensberry Press and demonstrate how to design the books. This excerpt concentrates on the "how-to". Much of the new functionality is behind the scenes (eg built-in colour management to convert the exported layouts to the printer colour space) but Danny concentrates on the process, especially how to specify the books and design the covers. Click here to watch it full screen. Cheers, Ian To View More >>

The other day we received an invoice from Queensberry and my wife (the fabulous Jo Grams) exclaimed, 'Crikey!' (she's Australian). It was a lot of money for an album! Too much? We talked about it and came to the conclusion that we were getting what we were paying for. We want to give our clients the best we can deliver. This means many things, not the least of which is getting them the best albums we can. We could reduce our personal costs by using less expensive covers, mounting systems, and not getting the full colour service, BUT would the outcome still fit into the requirement of giving our To View More >>

I've gathered enough gongs now to qualify for an opinion on album design. Last week I was a judge for the Australian Professional Photography Awards at PMA in Melbourne. This was an honour I shared with the lovely Jo Grams, Jerry Ghionis, Jackie Chan, Yervant and other luminaries. Several things became apparent: 1) Some authors treated the album as a set of individual prints, mixing black and whites with colours, verticals with horizontals, with blatant disregard for the influence of those images on each other. 2) Some authors were hypnotised by the ability to apply a filter to create a look ... To View More >>

New Research indicates that older people are indeed wise, both in knowing how to deal with conflicts between people and in accepting life’s uncertainties. This is called social wisdom. - recognising that values differ among people, - accepting that uncertainties are in fact a certainty, - accepting that things change over time, - and acknowledging others’ points of view. This is different to knowing stuff about technologies. As technology becomes the new playground the rules are the same but they execute differently. As photographers who ran successful businesses become last year's model they To View More >>

I am so proud of this from Ross Grieve (a UK-based Kiwi photographer) because it's Queensberry to the core. I'm sure Jo is too. When Ross's photos arrive we'll feature the album on our consumer blog. - Ian [caption id="attachment_7424" align="alignleft" width="150" caption="Ross & his idea guru"][/caption] Last year our Queensberry Account Manager, Jo (or our idea guru as I like to call her), suggested we get a Duo sample to have something unique in the studio. Now the thing I like about Jo: she is not a sales person, she is someone who is there to help you and your business. With that in mind To View More >>

Sometimes we have trouble persuading people that Photojunction displays images in overlay albums exactly as they will appear in the album. They think what you see on screen includes the area of the print that will get lost under the mat. That may be because other programs "grey out" the area that will be hidden (we do the same with photo front covers, but nowhere else). Photojunction hides it completely because we want to show you what the album will look like - no distractions! Anyway what you on screen is exactly what you'll see in the album. Take a look at the image panel of the tools window. To View More >>

Last post I said we didn't get married in a castle. This time I get to admit we didn't drive Bentleys to the venue. I'm starting to feel quite a man of the people! ... I'm not a car guy. The two cars I've owned have been hand-me-downs from my mum, and I prefer to ride my Vespa. You get the picture. But the guys' one job at a wedding is to choose the car - the colour and make and model and size ... and it proved to be a little harder than I expected... Kayla grew up driving BMWs and Audis, so I wanted something a little different. A couple of Bentleys would have been nice. But it turns out finding To View More >>

This is an important message if you send us layered PSD files. If any of the layers have reduced opacity what you see on screen may NOT match the print - unless you check an obscure preference box in Photoshop’s Colour Settings. In this post we'll tell you what to do about it, and why. In Color Settings’ Advanced Controls you should CHECK the box, “Blend RGB Colors Using Gamma” (as in the graphic). Leave the value set to 1.00. This is considered ‘colorimetrically correct’ by Adobe and will match our settings in the Lab. This check box affects the way that RGB colours are blended and To View More >>

Food for thought... Photographers do a huge amount more now than they used to in the old days - and it's questionable whether they get paid for it. They used to "send their work to the lab", now they ARE the lab. Colour management and colour correction used to be the lab's problem, now they're the photographer's. My thought for the day – you can't afford cheap printing for two reasons: - YOU do all the work - that's why it's cheap. - BECAUSE you do all the work you can't do other, more profitable stuff (or just go home earlier in the evenings). Truth to tell, many photographers would also get To View More >>