Proof sheets is a feature we’ve revived from PJ Retro, only it’s now way better… And quicker.

Here’s the quickest way to create Proof Sheets (it only takes two clicks!):

Right click on the Image Group or Collection you want to create Proof Sheets for, and hit ‘Create Proof Sheets‘.

Alternatively you could take the back streets and create Proof Sheets as a new product in the event window:

Hit the plus button (+) next to Products on the accordion menu…

And then select Proof Sheets from the options in the Project Setup window.

Or…

Add them as a new product via the browser menu and select the Proof Sheets option from the Product Setup window as above.

There’s heaps of different options and features to allow you to customise your Proof Sheets, but we’ll wait until next time to talk about those.

Next in this series

See you soon

Cheers, Danny

Hi all

What an awesome privilege it’s been to work with Queensberry to develop their Plug-in for Aperture 3!  As a true blue Apple fanboy it’s been a really exciting project to work on.

When Apple came knocking we jumped at a chance to partner with them, but we’ve since had a few clients ask questions like:

- What’s the difference between Aperture 3 and Photojunction?
- Why would you create a plug-in for Aperture when you already make Photojunction?

…And my personal favourite:

- Does this mean Photojunction is dead!?

We think your decision will ultimately be based on personal preference and “what you’re used too”. If you already know Aperture and only want to order digital albums, then it’s probably the perfect solution for you.

But there are some clear differences between Aperture and Photojunction which we wanted to explain, so here is a brief summary:

Aperture is great for designing un-matted “flushmount” albums. And for the sake of our pride and credibility please allow us to say that Photojunction is too! But … there are lots of alternatives: if you insist you could even choose something else entirely.

Aperture isn’t for matted albums … unless you compromise and restrict yourself to pre-designed templates. Queensberry clients have been free-designing for well over a decade so that’s not an option for us. Still, others may be happy with preset templates. Anyway it’s academic: as far as I know there are no matted Aperture templates available at least for now.

First, Aperture is Mac only while Photojunction is cross-platform. That means a lot of pro photographers who can’t use Aperture can use PJ – which is important to album vendors like QBY who depend on tightly integrated design and ordering tools that all their customers can use.

Like Photojunction, Aperture is an end-to-end application. You can design your page layouts, output your print files and upload them to the maker without needing anything else other than your web browser. Queensberry likes that. It means they know your print files will be the right dimensions, they’ll be correctly specified and they’ll be sent to the right server, hopefully with all the necessary information required to make the book.

Aperture is primarily photo editing and management software. Take a look at the ongoing debates on forums like DWF and you’ll see what I mean. Aperture’s “sharing tools”, like book design and slideshows, are really add-ons. Comparatively speaking they hardly get a mention. Some Aperture users, like it or not, will choose other software for those purposes.

On the other hand Photojunction isn’t really for editing images at all. It’s primarily about album design, with some pretty cool sorting, selling and slideshow tools as a bonus. That doesn’t mean you can’t edit your images if you use Photojunction: it integrates closely with your image editor so that you can edit your images and page layouts while you’re working in PJ. In practice most people use PJ and Photoshop in tandem.

Photographer’s workflows vary greatly but in a Photojunction workflow Aperture would generally be “upstream” of PJ. In other words you’d do your image editing in Aperture, export JPGs, TIFs or PSDs and then design your albums in PJ with those. You could sort images either in Photojunction or Aperture, as you prefer. (You could also substitute Lightroom for Aperture in this paragraph if you prefer.)

Aperture album layouts are exported as PDFs. That means in Photoshop terms they’re flattened files. Basically you’d do all your image manipulation in Aperture, then generate the PDFs for your album and upload them to make the book. That’s how the Queensberry plug-in for Aperture works.

To use Queensberry’s words, that’s a print-ready service. Once the PDF is created it can’t be meaningfully colour-corrected or edited as there are no individual layers to work with. At Queensberry we’d just take your Aperture PDFs and print them as received.

But Queensberry also offers a “Full Colour Service” where they colour correct album layouts for their clients. That requires layered PSD files, which Aperture doesn’t generate. Instead you’d need to create your album design in Photojunction, export the layouts as PSDs and send them to QBY for correction, printing and binding.

Finally Photojunction comes with a lot of built-in presets for both labs and album manufacturers (especially Queensberry). Not very sexy but very practical.

As you can see, when it comes to Aperture versus Photojunction it’s not just about personal preference. It’s a question of deciding what type of album you want to order, what work you want to do yourself and what you want to pass on to the vendor.

We think both are great solutions depending on your needs, and acknowledge the final choice is yours. I hope that helps. Let us know what you think!

Cheers, Danny

Apple is a trademark of Apple Inc., registered in the U.S. and other countries. Aperture is a trademark of Apple Inc.

Our Collection Builder reduces image sorting (and selling) to a few quick and easy steps.

Here’s a previous post that tells you all about it: Sorting is so easy

Just in case you were wondering, it uses the Smart Full Screen feature too

Next in this series

Cheers, Danny

Sometimes we have trouble persuading people that Photojunction displays images in overlay albums exactly as they will appear in the album. They think what you see on screen includes the area of the print that will get lost under the mat.

That may be because other programs “grey out” the area that will be hidden (we do the same with photo front covers, but nowhere else). Photojunction hides it completely because we want to show you what the album will look like – no distractions!

Anyway what you on screen is exactly what you’ll see in the album.

Take a look at the image panel of the tools window. It can be a bit hard to see, especially with a light colour image, because it’s small scale – but try pushing the selection box in the crop window out to the very edge of the image. You can do it with digital and pagemount pages, but not in an overlay album – because PJ knows it needs to reserve some pixels for the bit of the image that will covered by the mat. What you see is what you’ll get.

Cheers, Ian

This is easier than you can imagine. If you want to design in front of a client, but hide all the tools and wizardry of Photojunction, then you can recruit the services of the Review Layout feature.

Here’s how:

Select the ‘Album Menu’ and click ‘Review Layout’

Or for the shortcut type:

• On Mac: Apple + Shift + R
• On Windows: Ctrl + Shift + R

And, yep, it uses the smart full screen feature, which means you can design on one screen while your clients follow along on another.

Next in this series

Cheers, Danny

Photojunction loves being double clicked. Everywhere.

Double click on any of the following:

An image in the design window…

An image in the crop tool…

An image in the event window…

…And Photojunction will blow the image up full screen for better viewing. On your second monitor if you have one.

Next in this series

Cheers, Danny

Before we get going talking about presentation, I wanted to introduce a nice common sense feature. Smart Full Screen.

It’s at the crux of most of the presentation features to come.

Whenever you ask Photojunction to display something fullscreen, Photojunction automatically detects your second monitor (if you have one) and uses that monitor to display the full screen – by default.

Primary Monitor                                                    Secondary Monitor

If you don’t have a second monitor, of course the features still work on your single monitor. Photojunction will just display the full screen on top of everything else.

Next in this series

Cheers, Danny

P.s. To close the full screen mode – just hit esc.

Everyone wants to know about ‘presenting to clients’… It’s one of our most asked about feature sets.

Since we’re big fans of mini-series (like Band of brothers, The Pacific, and our Template store tips), over the next few weeks we’re going to look into some of Photojunction’s cool features to help you present to your clients.

We’ll cover all sorts of things like using the Collection Builder, creating Slideshows, exporting Proof Sheets and plenty more.

Talk soon

Cheers, Danny