Queensberry Connects


Posts Tagged ‘Products’

More from Mark Miller:

Press books – I agree with everything you say. At Focus I had a great conversation with Danny who suggested that ‘everyone’ did digital, ie it was commonplace with suppliers but that Duos were the really unique albums. I agree. Aren’t QBY digital albums really just a fancier, more expensive press-book? Again, that’s not meant to be insulting, I’m just trying to add to the conversation. FWIW, I’ve stopped offering digital albums (other than mini copies) and will move to a Duo only offering for next season.

No offence taken. I love our digital albums, and so do many of our clients. I believe ours are as good as they get and I don’t think either of us intends to belittle them. But as one of my favourite marketing books, Differentiate or Die, says, you can’t win on “quality”. On that basis Hyundai probably beats Alfa Romeo, but we all know it’s not that simple. Quality doesn’t differentiate. It’s necessary but not sufficient.

I’m not trying to talk you out of your decision but if I ran a studio I would probably include a digital album (flushmount for the visitors) and I would think seriously about press-books too. But I would not want them to define me.

I used to say in seminars, “If you can’t think of five things that differentiate you there is probably only one – price.”

Cheers, Ian

 

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  • I got an email from Mark Miller today, and he’s happy for me to share it and comment.

    I wanted to let you know how much I’ve been enjoying Queensberry Connects lately, specifically the posts about how QBY albums differentiate us as photographers from our competition and the idea that press-books are everywhere. I have a couple of comments/questions that I hope might add to the conversation:

    1. QBY albums differentiate us as photographers – my clients love my (your) albums but they don’t know who Queensberry are (I tell them all about you ‘You’re the best in the World’ etc), but I don’t think they really care too much about the album brand. In the last 3 or 4 years I’ve only ever been asked once by a prospect if I use Queensberry albums. So my question is, “Should Queensberry be doing more to promote the brand with Brides?” Please understand, I’m not saying you should, I just wondered how that idea fitted into the ‘differentiation’ concept.

    That’s a great thought and I’m glad you raised it, but I think I’ll pass…

    OK, three comments ;)

      1. Name recognition isn’t vital, I guess. The key moment is when the prospect walks in, sees something awesome they’ve never seen before, and thinks, “Wow”.
      2. Laphroaig, Hermes, Moleskine, Prada, Lexus, Apple, Mac (make-up) – I’m picking some of the brands Heather and I like – don’t just advertise to retailers, they advertise to us. To drive business to the retailers.
      3. But the thought of an album company promoting to “the brides” makes a lot of photographers nervous. I guess it’s a (lack of) trust thing.

      More from Mark tomorrow

      Cheers, Ian

       

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    4. tupp1bis_01Tupperware ‘fan boys’ are everywhere. Prodding the skeptical, hosting Tupperware parties, and enthusiastically trying to convince their peers of the benefits.

      Their argument: Once you try it, you’ll understand.

      And most people do. The experience of using Tupperware’s product is usually enough to quickly switch a sceptic’s loyalties, and soon enough they’ll be passionately promoting the product themselves.

      That’s (loosely) Tupperware’s business model, and you can see how it would have a snowball effect. They’ve built a brand around positive customer experience and word of mouth marketing.  As a result, they’re different.

      There are a couple of lessons we can take from their approach. Nothing new, but pertinent all the same…

      Give your clients an amazing experience (whether it be through your service or via the products you offer) and they’ll talk (that equals referrals for you). BUT you need to be different to be noticed in the first place.

      We can only advise you about the service part, but the product bit is the reason we’re in business. Queensberry’s job is to make you look amazing in a world where too often everything looks the same.

      Cheers, Nigel

       

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    8. Sad as it is, it’s no secret that one or two of the traditional album manufacturers in the USA and UK have had serious problems, and not just because of “the economy”.

      It’s hard for everyone when a company struggles, hard for their staff, hard for their suppliers. Harder still when you know the people involved.

      Hard for their customers too, who’ve spent a lot of time getting to know their people, understanding their systems and foibles, making bookings with couples who will expect one of their albums…

      So why have they been in trouble?

      Because companies like Queensberry started eating their lunch.

      It’s easy to see, when the world changes, that previously successful companies find it very hard to change with it. It’s hard to let go of the old world because they were successful in it, because the market associates the new world with their new competition – and because their clients generally don’t want to change either.

      Unfortunately, when faced with needing to find a new supplier, many people look for someone offering a similar product at the same price. They could be hitching their business to another dying star…

      Sad for them, good for Queensberry clients.

      Cheers, Ian

      PS I first published this accidentally and I’ve edited it a bit since. Reading it back it still sounds a bit harsh, and it’s not meant to. I just wanted to make the point that this may not be the best of times to resist change. But many people do, and (indirectly) that’s good for our clients.

       

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    12. If you’re finding this year tough, and you’ve said, or thought, what’s wrong, I’m not doing anything different… right there may be your problem.

      Just as things changed when you switched from film to digital, or PC to Mac, or Nikon to Canon, things have changed with the end of the party economy…

      Have you heard how much the Las Vegas convention industry is suffering because it’s not a good look for corporations to go there to “party” when times are tough?

      This is probably not the best time to be selling party souvenirs. Your work needs to be significant, worthwhile, to survive the end of the party economy.

      As I read Johanne’s longevity post last week it struck me that’s exactly how he and Jo present themselves. Telling stories about relationships intended to last forever, through albums and imagery designed to do the same… Creating treasured possessions that celebrate significant events, so they can be enjoyed, reflected upon and shared forever…

      Cheers, Ian

       

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    16. Welcome to the second interview in our series featuring clients whose businesses are thriving despite the current economic climate. Click here to read the first interview with Christian Oth.

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      In the same year they had their first child, Chris and Darcie Siiteri started their Austin (Texas) photography business, Innovative Photography. Fifteen years later they’re still at it and doing better than ever.

      I gave an initially nervous Darcie an early morning call to chat about how they approach their album sales, and what they do to ensure their clients have an amazing experience and to foster relationships with other vendors…

      Making it good

      Price wise, it’s fair to say they started low. Darcie says, “I thought that if we made a $200 profit on every wedding we’d be rich.” 98 weddings later they needed help.

      They found a mentor who told them to do four things: raise your prices, simplify your sales, have a flat hourly rate and don’t overwhelm your clients.

      So they did just that. They raised their prices and toned down their whole approach, which included clearing their studio walls of portraits to create a cleaner and simpler look. Now their biggest problem is keeping their Labrador from jumping all over their clients when they walk in the door. But changing their studio isn’t the only thing they’ve done to boost business.

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      Making the sale

      Album sales currently make up half of Chris and Darcie’s turnover. In fact, they went from ‘new client’ to what we call a ‘Top Tier’ client virtually overnight. But it wasn’t until they made a major change that they started to see increased returns from their albums sales.

      “After digital came along we stopped offering large proof books with 5×5 prints in them. Clients were seeing them as a good (free) alternative to an album, and they weren’t buying. So we started to give our clients proof books of thumbnail images instead. Our album sales instantly went up.”

      Chris and Darcie now include an Album Product Credit in their packages, which the clients can spend on whatever they like (enlargements etc). I broached the up-selling issue and she told me, “We’re artists. People love our work and they buy it, we don’t have to push it. I want every product we make to be unique and artful”. So she’s not one to push her clients, or look for the big sale, but Darcie says her clients appreciate their honesty.

      Client experience

      “We’re always direct and honest with them and give them our opinion, but I’m more concerned with the experience and relationship I have with my clients than with squeezing as much money out of them as I can.”

      That relationship starts right from the first time they meet. Darcie says rarely do any of her clients have to ring the doorbell. “When we know there’s a client coming I’ve got my eyes peeled for when they drive in. I always greet them at the door and welcome them into our studio – it’s just a little way of showing that we care and we’re excited to meet them.”

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      Clients, Vendors and us

      By this stage I knew Darcie loved making sure her clients have the most wonderful experience when they come to her – relationships are important. Chris and Darcie have also been fostering relationships with vendors in town, who they say regularly send business their way.

      “We are constantly emailing vendors new images and updating their albums – we focus on taking extremely good care of them. Almost everything we give them is free and it’s worth it’s weight in gold.”

      From hotels and florists to the local judge, they say the relationship goes both ways. For example they’ve set up a deal with a florist who, in return for product shots, sends flowers to Chris and Darcie’s top clients.

      “We work very hard at maintaining our relationships with local top hotels and wedding venues”. In fact they’ve had so many requests from vendors to do their corporate photography that Chris and Darcie have set up a Vendors Rate: vendors can get their work or personal photography done at a discounted price.

      Other than past client referrals, vendors are now Chris and Darcie’s largest source of referrals.

      Darcie says volunteer work is a great way to build and develop relationships. “We work closely with a charity for disabled children, offering our services for fundraising and promotional work.”

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      Queensberry

      So how did Chris and Darcie end up using Queensberry as their album supplier? Well it was Darcie’s 2am urge to look for ‘something different’. Sitting up late one night, surfing the net, she came across Queensberry and decided to check us out. She ordered a Queensberry album, unassembled, and put photos from a recent wedding in it to see how it would look. It wasn’t meant for the client, but the client somehow saw it and just had to have it.

      Darcie says, “Queensberry beautifies our business. To see the beautiful albums they create for our clients keeps us grounded. They’re so elegant.”

      When it comes to album design, Darcie gets Queensberry to do it. Why? “I’d rather not be designing albums when I know there’s someone else that can do it for me, and better than me.”

      Parting words

      “Have fun when you shoot, be really honest with your clients and always seek to do better,” was Darcie’s parting advice. Oh, and “Always give your clients the best products you can ever imagine.”

      Click here to view Chris and Darcie’s website and portfolio

      Cheers, Nigel

      0089 535

       

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    20. It’s not all bad out there you know! There are plenty of people doing better than ever, even considering the recession. So over the next few weeks we’re bringing you a series of interviews with clients who are doing just great. We’ll share their advice, ideas and opinions as they give us some insights into how they’re successfully running their businesses. Here’s the first.

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      He’s been recognised as one of the world’s best photographers, serviced clients like the New York Times and Apple Computer, photographed celebrities such as Alec Baldwin, Amanda Peet, Isabella Rosselini and Donald Trump,  regularly had his work published, and he has a 19th floor New York studio. Christian Oth is about as “high” as you can get!

      So I caught up with him to ask what it’s like at the top and how he got there. He also shared his thoughts on the economy, re-branding, albums and having a full time sales person…

      No easy road to the top

      Studying at the Manhattan International School of Photography, Christian started out with no plans but lots of ideas. All he knew was that he wanted to invent something new and different.

      “There’s no easy road to the top” he told me. “I tried my hand at everything from fashion to commercial to war photography before finding my niche in wedding photography. It was those hard times when I was struggling to pay the bills that enabled me to take those experiences and merge them into something different.”

      His business seemed to grow organically as he continued to gain recognition, eventually finding himself at the top end of the market. It was then he realised he had  ”quite a title to live up to”, so he shifted his focus to work harder on quality in every possible way; not only the photography, but also the client experience.

      080628hrikat0086 080524hojeil0068

      “The main thing that saved me from going down the same road as more traditional photographers was to challenge the conventions of the time and come up with something new. I guess I was kind of arrogant about it initially, but my clients loved the attitude and were thirsting for someone to do things differently.”

      What drove him at the beginning is still prevalent in his approach today…

      “In many ways I’m still a loner – I still don’t like to listen to any popular attitudes about wedding photography, but a few of my ideas worked really well and we expanded on them.”

      Reputation matters

      He counts much of his success to his reputation. In fact, he told me he considers his reputation to be his position of strength right now during the recession. “The most important and useful thing any photographer can do is to build their reputation.

      “Protect it hard, work on it every day, and never destroy it. It can take years to build and a day to destroy.”

      Christian was given a helping hand when PDN named him one of the top 15 photographers in 2003 and published one of his wedding images on the cover in 2004. From there things snowballed – his reputation grew quickly as he was soon being published by the likes of the New York Times, Town & Country and Vogue.  Then in 2007, American Photo named him one of the top 10 wedding photographers in the world, raising his profile rapidly.

      Amanda Gleason & Chris Fry Wedding

      He says, “Developing relationships with publications and nowadays blogs, is a great way to get your work, and your name, out into the wider public arena. Every photographer should be trying to get their work published – it’s free advertising. People who are looking for a photographer do read photo credits.”

      Building your brand

      Stressing the importance of building your business in tune with your clientele, he talks about his own recent experience of rebranding his business for that exact reason. “Put yourself in their shoes and ask yourself who are they, what do they like, what stores do they frequent? Create your ideal client and design your business/branding around that sample person.”

      Christian’s rebranding project included a totally redesigned logo, new name and new website. Only two months after the new brand was launched, he saw his bookings increase three-fold.

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      Client experience

      Christian has a full-time sales person, a studio manager, three photo editors, a designer and digital tech staff. He says having someone dedicated fully to looking after his clients has had a huge impact on building his studio. “Being at the top end of the market I have to act accordingly. These top level clients are used to receiving superior service wherever they go…and it’s no different when they come to us.” Christian says his new sales person has also played a major role in the increase in his bookings.

      Offering quality products

      With that strong focus on the quality of the photography and client experience, the products Christian offers must naturally be of the same superior quality. Choosing Queensberry was a matter of trial and error. He initially tried several different album companies but settled on Queensberry because of the consistent quality and positive response from his upscale clientele.

      So any last advice Christian? “You’re an artist, you’re in business, so find a way to create a balance between the two.”

      Check out Christian’s new website and portfolio here

      Cheers, Nigel

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      When your first ever album order catches Queensberry’s eye you’ve got to be pretty pleased with yourself. Especially when you designed it in a program you’ve never used before.

      Keryn Sweeney of Keryn Maree Photographer recently opened her studio in Auckland, New Zealand, and shot and designed this little gem as a studio sample for the beauty side of her business – an area she’s had plenty of experience in.

      3

      Keryn recognises the benefits of offering her clients albums, but although she’d come from a well-established beauty and glamour studio she’d never used them before. When it came to choosing an album supplier, it was printing services she looked at first. Finding our prices very competitive with the big lab she used previously (and seeing the benefit of the extra services we offer), Keryn made the switch.

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      She designed the album in Photojunction Remix, used our Full Colour service and had us print and assemble her album – saving her precious time as she focused on setting up her new business.

      The result is this beautiful 10-page white leather 10×7 digital folio.

      Keryn’s got a bright future ahead of her and we look forward to seeing more of her beautiful work.

      Click here to view a slideshow of the album

      Click here to view Keryn’s profile

       

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    28. Further to Nigel … Imagine that due to cutbacks and rationalisation only orange and brown m&m’s were available.

      Imagine, then, you created a range of multicoloured ones (by passing them through your unique m&m random colorising filter, available in CS4 only). But you made yours more expensive … and you put them in a fabulous box that emphasised the difference.

      Nigel would buy them. But would you still be in business after three months? Would the answer depend at least in part on the box?

      What I’m hearing is almost a homogenisation of photographer’s outputs and products as they duck for safety from the “falling sky“.

      This creates a greater opportunity to stand out by being dishomogenous, somehow unique and therefore of greater value.

      If the m&m’s were photographs, and the package they came in was an album, how important would the package be to the acceptance of a higher fee for a unique product?  Just a question.

      Hugs, Johannes

       

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    32. happynyHappy New Year!

      The trade show season will be pretty much be on top of us once we get back from our annual close-down, so here’s where we’ll be and when. 

      SWPP: 16-18 January 2009

      WPPI: 16-18 February 2009

      Focus: 22-25 February 2009

      We’d love to catch up with you so if you are attending any of these shows, swing by and say hi.

      Our staff will be on hand at each show with our newest products including the new format 20×16 and 18×10 album formats, as well as samples of our new Micro Leathers, Silks, and Micro Suede cover materials.

      Hope to see you there.

      Best wishes from the Queensberry Sales Support Team

       

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