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Posts Tagged ‘Pre-design’

Darlene raised another good point about my album-marketing posts. (I’d suggested that you split the wedding sales process into two stages, the process of booking the wedding and the process of selling the photographs. Stage 2 comes after the wedding, and often involves showing your clients an album you’ve pre-designed, or even designing the album with them then and there.)

Darlene’s point was that I was promoting pre-design, but my advice was no help to photographers who have “no time to do that”.

She’s right, but I can’t see what can be done about it. Pre-design requires the ability to edit the design, and for that you need the designer in the room!

In a nutshell, that’s why we sometimes describe PJ Remix as a sales tool, not a design tool.

On the face of it people who “don’t have time” to design their own albums run the risk of leaving money on the table. It’s worth thinking about this:

  • If you’re contracting out your album design, do it so you can get back to “shooting pictures and selling them”, where the profit is.
  • If you’re designing your own albums, treat it as design job and a sales job.

Of course Stage 2 (selling the photographs) could be just that, a sales session to encourage your clients to buy more images for their album, but I wouldn’t assume it will save you much time. And you won’t have the ability to show them what their album could look like.

Cheers, Ian

 

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  • Three points!

    1. Investigate and determine your clients needs, limitations, and dreams.

    2. Establish design objectives.

    3. Exceed your clients’ expectations.

      We set the parameters of size, style, and content from discussions with our client prior to the wedding. Having a series of questions to answer on a sheet means you get the information you need.

      Album type, size, and budget are the first questions. Then how many albums and what these would do.

      We gauge their response to our sample albums and ask questions about what might be important.

      We define the style by giving them a key description and asking them to elaborate on what that might mean for them. We use words like Story Book, Creative, Classic, Contemporary, Simple, to give us a general direction to work with.

      And then we create a skeleton. This has the ‘thread(s)’ for the story and gaps for the things we are not sure of. We most often use the sequence of events to determine the order of appearance.

      Then we go crazy. Play some vintage Split Enz and let our hair down. It’s that Flow thing.

      We design beyond their expectations.

      We look for images they must have and, if we can, we do some artwork on them. We leave gaps for things like the family images.

      And then we stop and review…

      Give the images a reason for being, so that you can discuss them as part of a whole rather than as unique entities. This gives them a geater chance of being in the final selection.

      Include more pages than they wanted – to tell the story better – to give them something to decide on, and to potentially make a better sale.

      The key things are to let them change anything they need to … and commit to better research if you got any of the fundamentals wrong.

      Making changes and choices means that they are involved.

      PJ Remix is important to this. It makes editing, hunting for images and interacting with the clients quick and easy, but not too easy. Very important – we only make changes to a duplicate of the original design. Think about duplicating the album design in the Browse window of PJ Remix so you can offer alternative designs. Easily turn your plan into an amazing slideshow for them to view when they walk in the door, before they see the rest of their images.

      Use the '2X' button to duplicate your design

      Use the x2 button to duplicate your design

      If it is taking too long consider using templates to streamline the workflow, or listen to more upbeat music.

      There you go.

      This works. Make the time for this to happen. Even if you don’t make the sale, if you have done your job right, they will share the experience with their friends who could come to you in the fututre.  At all times remember that everything you do is for the long term benefits not the cash in your pocket today.

      Take care

      Johannes

       

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    4. In the ideal world (which is different to the world we actually live in) we would pre-plan all of our albums and our clients would love everything we do.

      Pre-planning albums, to present when our clients collect their images, allows us to tell it the way we saw it. It allows us to influence the design more than if we leave it until after the clients have chosen.

      It increases the value of their experience with us.

      We want our clients to use us because they like the way we see things. But we also want them to contribute to the writing of the story.

      We plan the skeleton but we make it flexible.

      We want it to be irresistible. But we give them permission to move and change.

      We want our clients to make changes because we want them to own the finished book.

      Why do we do it?

      • We do it to create a beginning.
      • We do it because it is impressive.
      • We do it to sell albums.

      How?

      It creates a strong and undeniable emotional relationship with the story and the imagery. It can over-ride the budget part of the decision on how big an album might be.

      Why wouldn’t we do it? Time. Time is the enemy. However, by using PJ Remix we are able to do quick layouts, and even template repeated design elements, to speed up the process.

      If our pre-planned album design is their first viewing of their wedding then it is incredibly powerful as a suggestion of how things might be.

      More on “how” next time.

      All the best

      Johannes

       

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