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Posts Tagged ‘Opinion’

I’m heading back to New Zealand after four gigs for MPA and CPT.

When I left home Jo (my wife) gave me two things (other than the advice to stay away from danger). She gave me an iPhone so that we could stay in touch … my phone was in a bad way … and she gave me a small box. Now you would have thought that a caring wife would have uploaded a set of images or a small video of her and our daughter to remind me of them in their absence … this is the beauty of technology. No she didn’t. She went 10 times better.

She gave me a small box of prints of our family to take away.

This low fi approach to remembering was a beautiful example of the power of the printed image. I get to hold the images, show them around, and feel them in my hands.

How lucky am I?

We easily get drawn into the hi tech demands of being cutting edge, and it is too easy to overlook the power of the simple.

Love and hugs
Johannes

 

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  • Remember your first time?

    Doing whatever. Maybe photographing your first wedding?

    Years back when Subway turned up in New Zealand it took me 10 minutes and enough questions to drive mum up the wall to finally place my order. Why? Because I didn’t know how.

    I’ve just committed to spending a lot of money on our wedding photography, but before I did, I was nervous. Not so much because of the money, but because I wasn’t sure what I’d get for it.

    It was my first time.

    I’m in the industry, talk to photographers all the time, and write articles about marketing and business every day.  But I still felt vulnerable. Like a dumb user.

    I wanted to ask my photographer all those questions I already knew the answer to. I wanted to be assured, and re-assured, that my expectations were realistic.

    I have absolute faith in him, and couldn’t ask for a better photographer if I tried – but that didn’t matter. I needed my hand held and all my questions answered. I needed to feel like I understood.

    Maybe I should be lying on a leather couch in a shrink’s room, but here’s the point.

    There’s one thing that’s true about me, and every other couple buying wedding photography – and it’s important for a photographer to understand.

    Your couple has (probably) never bought wedding photography before.

    Make it your job to provide them with the environment where it’s OK to feel vulnerable or nervous or out of their depth.

    Teach them. Assure them. Understand them. Laugh with them. Cry with them. And treat every ‘dumb’ question as important.

    Make their first time a comfortable experience. The rest will follow.

    Cheers, Nigel

     

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  • As a soon-to-be groom, here are a few questions I’ve asked myself while looking through some photographer websites…

    How do I know whether I can afford you if you don’t give me an indication of how much you cost?

    How do I know whether I can use you if you don’t tell me where you are?

    How do I talk to you if you don’t give me your phone number or email address?

    Couples looking for a photographer want to know whether you’re a possibility or not.

    And if you are… we want to talk to you (not fill out an online contact form and wait for your reply).

    Why frustrate us by hiding the precise information we need to decide whether to check you out?

    How could you make it easy for us?

    Just a thought, Nigel

     

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  • adcomplaintsWell known Auckland photographer and Queensberry friend Bruce Gabites of Fine Photography, shared some of his thoughts about dealing with complaining clients with us recently.

    He made some good points that I wanted to touch on quickly…

    Firstly, he says that complaints are often communicated as personal attacks because people usually only complain when they’re really angry. So be objective and don’t take it personally.

    Secondly, thank your customer for complaining. As well as making them feel better, it’s actually pretty appropriate. If they’re complaining about something you routinely do, chances are that other customers aren’t happy either. Think of the complaint as a positive and treat it as a great opportunity to make improvements in your business that could make all of your clients happier.

    Another interesting point Bruce made was to suggest that you ask for feedback on everything you deliver to your clients. He reckons that a simple email or phone call to check that everything is OK goes a long way towards developing an army of clients advocating for your business. Also, it gives those who might not voluntarily give you feedback the opportunity to let you know what they think. And if they weren’t 100% satisfied you can put it right.

    Usually you’ll find their dissatisfaction is to do with something small, or a misunderstanding that can be resolved very easily. So put your neck on the line and ask your clients if they’re totally satisfied.

    That’s good advice – thanks for sharing with us, Bruce.

    Cheers, Nigel

    PS here’s one more… Do whatever you have to do to put the problem right, and then go that little bit further – a little more than they expected. Under-promise and over-deliver.

     

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  • Recently I was holed up out back of beyond working on a book I’m writing.

    Came lunchtime I made myself a sandwich and started reading an eBook called 279 Days to Overnight Success by Chris Guillebeau (“an unconventional journey to full-time writing”, free and recommended).

    On page 42 he said, “[Google] Adsense ads suck.”

    Chris had two reasons for such a strong statement:

    “First, do you believe in and endorse the solutions that the companies advertising on your site are offering your customers? Second, do you want to send your hard-earned visitors away from your site?”

    Hmm, I thought, food for thought… Finished my sandwich and started a new chapter called “Suck It And See” (I’ll explain another day).

    Then I had another thought: I wonder if everyone will know what that little bit of slang means…

    So I googled “Suck It And See” … and got to a helpful site that defined the meaning, gave its derivation – thank you Google – and advertised, “Horny Ladies… For Free… No Registration!”

    Hmm, I thought, I see what you mean Chris.

    Cheers, Ian

    PS Unless you’ve got a lot of traffic you’ll only earn pennies anyway.

     

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  • It’s not all bad out there you know! There are plenty of people doing better than ever, even considering the recession. So over the next few weeks we’re bringing you a series of interviews with clients who are doing just great. We’ll share their advice, ideas and opinions as they give us some insights into how they’re successfully running their businesses. Here’s the first.

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    He’s been recognised as one of the world’s best photographers, serviced clients like the New York Times and Apple Computer, photographed celebrities such as Alec Baldwin, Amanda Peet, Isabella Rosselini and Donald Trump,  regularly had his work published, and he has a 19th floor New York studio. Christian Oth is about as “high” as you can get!

    So I caught up with him to ask what it’s like at the top and how he got there. He also shared his thoughts on the economy, re-branding, albums and having a full time sales person…

    No easy road to the top

    Studying at the Manhattan International School of Photography, Christian started out with no plans but lots of ideas. All he knew was that he wanted to invent something new and different.

    “There’s no easy road to the top” he told me. “I tried my hand at everything from fashion to commercial to war photography before finding my niche in wedding photography. It was those hard times when I was struggling to pay the bills that enabled me to take those experiences and merge them into something different.”

    His business seemed to grow organically as he continued to gain recognition, eventually finding himself at the top end of the market. It was then he realised he had  ”quite a title to live up to”, so he shifted his focus to work harder on quality in every possible way; not only the photography, but also the client experience.

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    “The main thing that saved me from going down the same road as more traditional photographers was to challenge the conventions of the time and come up with something new. I guess I was kind of arrogant about it initially, but my clients loved the attitude and were thirsting for someone to do things differently.”

    What drove him at the beginning is still prevalent in his approach today…

    “In many ways I’m still a loner – I still don’t like to listen to any popular attitudes about wedding photography, but a few of my ideas worked really well and we expanded on them.”

    Reputation matters

    He counts much of his success to his reputation. In fact, he told me he considers his reputation to be his position of strength right now during the recession. “The most important and useful thing any photographer can do is to build their reputation.

    “Protect it hard, work on it every day, and never destroy it. It can take years to build and a day to destroy.”

    Christian was given a helping hand when PDN named him one of the top 15 photographers in 2003 and published one of his wedding images on the cover in 2004. From there things snowballed – his reputation grew quickly as he was soon being published by the likes of the New York Times, Town & Country and Vogue.  Then in 2007, American Photo named him one of the top 10 wedding photographers in the world, raising his profile rapidly.

    Amanda Gleason & Chris Fry Wedding

    He says, “Developing relationships with publications and nowadays blogs, is a great way to get your work, and your name, out into the wider public arena. Every photographer should be trying to get their work published – it’s free advertising. People who are looking for a photographer do read photo credits.”

    Building your brand

    Stressing the importance of building your business in tune with your clientele, he talks about his own recent experience of rebranding his business for that exact reason. “Put yourself in their shoes and ask yourself who are they, what do they like, what stores do they frequent? Create your ideal client and design your business/branding around that sample person.”

    Christian’s rebranding project included a totally redesigned logo, new name and new website. Only two months after the new brand was launched, he saw his bookings increase three-fold.

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    Client experience

    Christian has a full-time sales person, a studio manager, three photo editors, a designer and digital tech staff. He says having someone dedicated fully to looking after his clients has had a huge impact on building his studio. “Being at the top end of the market I have to act accordingly. These top level clients are used to receiving superior service wherever they go…and it’s no different when they come to us.” Christian says his new sales person has also played a major role in the increase in his bookings.

    Offering quality products

    With that strong focus on the quality of the photography and client experience, the products Christian offers must naturally be of the same superior quality. Choosing Queensberry was a matter of trial and error. He initially tried several different album companies but settled on Queensberry because of the consistent quality and positive response from his upscale clientele.

    So any last advice Christian? “You’re an artist, you’re in business, so find a way to create a balance between the two.”

    Check out Christian’s new website and portfolio here

    Cheers, Nigel

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  • Johannes wrote a post last week about a restaurant going the extra mile, but in the wrong direction. I thought it was real food for thought … so to speak. Justine pasted it on DWF and people got the point. But Adrienne reckoned it was a bit harsh – didn’t the restaurant deserve marks for trying?

    Absolutely, and I’m sure Johannes was out to make a point rather than beat up on them. But…

    It’s a harsh world. Your customers probably don’t care how hard you try, whether you can make payroll, how much you like oysters. Sometimes the toughest thing about being in business is that you can’t make people care … and it’s unwise to assume they do.

    A formula is far less impressive than some sign that you have recognised the individual in me. That tells me you care, and encourages me to reciprocate.

    Cheers, Ian

    PS If you can say, “The usual please” in a restaurant – and get what you want – those people really know you. It works at the place Team PJ goes on Kebab Fridays and it makes me feel like going back. Even more impressive was the time the owner, just back from a year in Turkey, shook my hand, took my order and said, “Extra hot, right? No cheese?”

     

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  • podcaster_001I just got back from a seminar by one of Australia’s best seminar presenters.

    For all his professionalism and preparedness, his Dell laptop wouldn’t recognise the USB microphone he was recommending. A simple problem, but he couldn’t fix it and neither could the audio tech who was recording the presentation.

    And before you Apple fan boys start chortling, the audio geek was recording the event on a Mac using the latest version of Logic Pro, and he told me he was having problems with that too.

    What happened? The presenter demonstrated with $25 Logitech headset instead, and we moved on.

    I flew home on Air New Zealand and their state of the art touch screen entertainment system refused to boot. What happened? The purser went through the plane, offered everyone an air points credit and we moved on.

    Twice in one day is a bit much, but  s@#$ happens at the bleeding edge. It helps to be comfortable with that reality.

    Remind me I said that when my own stuff stops working!

    Cheers, Ian

    PS I’m still going to buy the microphone.

     

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  • You’ve probably got it that I’m a Seth Godin fanboy. Every day I get my daily dose of something to think about.

    Posting about the digital revolution in our industry reminded me of this quote. It’s from a very long post about the music industry, but it’ll bounce ideas round your head:

    “The new thing is never as good as the old thing, at least right now.

    “Soon, the new thing will be better than the old thing will be. But if you wait until then, it’s going to be too late.  Feel free to wax nostalgic about the old thing, but don’t fool yourself into believing it’s going to be here forever. It won’t.”

    Some examples:

    The guys who used to typeset, lay up and make the plates for a newsletter I published in the ’80s. They  sneered when I bought an Apple Mac and Pagemaker, and what I could do with them was pretty pathetic, but they’re the ones long gone.

    A few years ago we spent a small fortune on scanning equipment for the lab. Now it’s almost idle.

    Or here’s Seth again on how the telephone destroyed the telegraph.

      Cheers, Ian

       

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    • Bob had another noteworthy one-liner in his seminar: “Gen Y is about to discover the difference between a Want and a Need.”

      You need to understand that Bob was sharing the stage with young Danny, and there were plenty more Gen Y in the audience…

      I’m a Boomer like Bob, so I was fine with it, but Danny said, “I wonder whether he offended anyone?”

      FWIW it made me think about two aspects of “framing” your photography.

      Bob used certain words to describe his role (artist, historian) and what motivated his clients (love, pride). He’s framing his photography as a Need, not a Want. Something they can’t do without.

      The other aspect of Framing is tailoring what you say to your audience. Maybe some of his audience didn’t like his Gen Y comment.

        Cheers, Ian

        PS If you want to turn off a boomer, try this marketing line on them: Click before you croak! Some of us laughed.

         

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