Queensberry Connects


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Pre-wedding engagement shoots are fairly common these days – but Michelle and TJ Getz of Getzcreative go one step further and offer their clients post-wedding shoots too.

These post-wedding ”Creative Sessions” allow them to offer a distinctive and creative photography session without the pressures of the wedding day.

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For example, Michelle shot Lauren and Josh’s wedding in October 2008 in South Carolina and the couple are working with Michelle to put together their Queensberry wedding album (they’ve nearly doubled their page count from 18 to 30 pages!).

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But Lauren and Josh also purchased this beautiful little feature album of their after-wedding shoot. For this particular shoot, TJ did some intimate shots in the bedroom at the end of the session. Josh, a US Airforce pilot, loved the images so much he wanted a special album to take with him when he leaves for duty again soon.

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Michelle designed them this beautiful 8×8 digital Vanilla Bean Micro Leather album featuring some of their favourite shots.

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Cheers, Nigel

To view a slideshow of Lauren and Josh’s album click here.

 

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  • If you’re finding this year tough, and you’ve said, or thought, what’s wrong, I’m not doing anything different… right there may be your problem.

    Just as things changed when you switched from film to digital, or PC to Mac, or Nikon to Canon, things have changed with the end of the party economy…

    Have you heard how much the Las Vegas convention industry is suffering because it’s not a good look for corporations to go there to “party” when times are tough?

    This is probably not the best time to be selling party souvenirs. Your work needs to be significant, worthwhile, to survive the end of the party economy.

    As I read Johanne’s longevity post last week it struck me that’s exactly how he and Jo present themselves. Telling stories about relationships intended to last forever, through albums and imagery designed to do the same… Creating treasured possessions that celebrate significant events, so they can be enjoyed, reflected upon and shared forever…

    Cheers, Ian

     

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  • Welcome to the second interview in our series featuring clients whose businesses are thriving despite the current economic climate. Click here to read the first interview with Christian Oth.

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    In the same year they had their first child, Chris and Darcie Siiteri started their Austin (Texas) photography business, Innovative Photography. Fifteen years later they’re still at it and doing better than ever.

    I gave an initially nervous Darcie an early morning call to chat about how they approach their album sales, and what they do to ensure their clients have an amazing experience and to foster relationships with other vendors…

    Making it good

    Price wise, it’s fair to say they started low. Darcie says, “I thought that if we made a $200 profit on every wedding we’d be rich.” 98 weddings later they needed help.

    They found a mentor who told them to do four things: raise your prices, simplify your sales, have a flat hourly rate and don’t overwhelm your clients.

    So they did just that. They raised their prices and toned down their whole approach, which included clearing their studio walls of portraits to create a cleaner and simpler look. Now their biggest problem is keeping their Labrador from jumping all over their clients when they walk in the door. But changing their studio isn’t the only thing they’ve done to boost business.

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    Making the sale

    Album sales currently make up half of Chris and Darcie’s turnover. In fact, they went from ‘new client’ to what we call a ‘Top Tier’ client virtually overnight. But it wasn’t until they made a major change that they started to see increased returns from their albums sales.

    “After digital came along we stopped offering large proof books with 5×5 prints in them. Clients were seeing them as a good (free) alternative to an album, and they weren’t buying. So we started to give our clients proof books of thumbnail images instead. Our album sales instantly went up.”

    Chris and Darcie now include an Album Product Credit in their packages, which the clients can spend on whatever they like (enlargements etc). I broached the up-selling issue and she told me, “We’re artists. People love our work and they buy it, we don’t have to push it. I want every product we make to be unique and artful”. So she’s not one to push her clients, or look for the big sale, but Darcie says her clients appreciate their honesty.

    Client experience

    “We’re always direct and honest with them and give them our opinion, but I’m more concerned with the experience and relationship I have with my clients than with squeezing as much money out of them as I can.”

    That relationship starts right from the first time they meet. Darcie says rarely do any of her clients have to ring the doorbell. “When we know there’s a client coming I’ve got my eyes peeled for when they drive in. I always greet them at the door and welcome them into our studio – it’s just a little way of showing that we care and we’re excited to meet them.”

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    Clients, Vendors and us

    By this stage I knew Darcie loved making sure her clients have the most wonderful experience when they come to her – relationships are important. Chris and Darcie have also been fostering relationships with vendors in town, who they say regularly send business their way.

    “We are constantly emailing vendors new images and updating their albums – we focus on taking extremely good care of them. Almost everything we give them is free and it’s worth it’s weight in gold.”

    From hotels and florists to the local judge, they say the relationship goes both ways. For example they’ve set up a deal with a florist who, in return for product shots, sends flowers to Chris and Darcie’s top clients.

    “We work very hard at maintaining our relationships with local top hotels and wedding venues”. In fact they’ve had so many requests from vendors to do their corporate photography that Chris and Darcie have set up a Vendors Rate: vendors can get their work or personal photography done at a discounted price.

    Other than past client referrals, vendors are now Chris and Darcie’s largest source of referrals.

    Darcie says volunteer work is a great way to build and develop relationships. “We work closely with a charity for disabled children, offering our services for fundraising and promotional work.”

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    Queensberry

    So how did Chris and Darcie end up using Queensberry as their album supplier? Well it was Darcie’s 2am urge to look for ‘something different’. Sitting up late one night, surfing the net, she came across Queensberry and decided to check us out. She ordered a Queensberry album, unassembled, and put photos from a recent wedding in it to see how it would look. It wasn’t meant for the client, but the client somehow saw it and just had to have it.

    Darcie says, “Queensberry beautifies our business. To see the beautiful albums they create for our clients keeps us grounded. They’re so elegant.”

    When it comes to album design, Darcie gets Queensberry to do it. Why? “I’d rather not be designing albums when I know there’s someone else that can do it for me, and better than me.”

    Parting words

    “Have fun when you shoot, be really honest with your clients and always seek to do better,” was Darcie’s parting advice. Oh, and “Always give your clients the best products you can ever imagine.”

    Click here to view Chris and Darcie’s website and portfolio

    Cheers, Nigel

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  • It’s not all bad out there you know! There are plenty of people doing better than ever, even considering the recession. So over the next few weeks we’re bringing you a series of interviews with clients who are doing just great. We’ll share their advice, ideas and opinions as they give us some insights into how they’re successfully running their businesses. Here’s the first.

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    He’s been recognised as one of the world’s best photographers, serviced clients like the New York Times and Apple Computer, photographed celebrities such as Alec Baldwin, Amanda Peet, Isabella Rosselini and Donald Trump,  regularly had his work published, and he has a 19th floor New York studio. Christian Oth is about as “high” as you can get!

    So I caught up with him to ask what it’s like at the top and how he got there. He also shared his thoughts on the economy, re-branding, albums and having a full time sales person…

    No easy road to the top

    Studying at the Manhattan International School of Photography, Christian started out with no plans but lots of ideas. All he knew was that he wanted to invent something new and different.

    “There’s no easy road to the top” he told me. “I tried my hand at everything from fashion to commercial to war photography before finding my niche in wedding photography. It was those hard times when I was struggling to pay the bills that enabled me to take those experiences and merge them into something different.”

    His business seemed to grow organically as he continued to gain recognition, eventually finding himself at the top end of the market. It was then he realised he had  ”quite a title to live up to”, so he shifted his focus to work harder on quality in every possible way; not only the photography, but also the client experience.

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    “The main thing that saved me from going down the same road as more traditional photographers was to challenge the conventions of the time and come up with something new. I guess I was kind of arrogant about it initially, but my clients loved the attitude and were thirsting for someone to do things differently.”

    What drove him at the beginning is still prevalent in his approach today…

    “In many ways I’m still a loner – I still don’t like to listen to any popular attitudes about wedding photography, but a few of my ideas worked really well and we expanded on them.”

    Reputation matters

    He counts much of his success to his reputation. In fact, he told me he considers his reputation to be his position of strength right now during the recession. “The most important and useful thing any photographer can do is to build their reputation.

    “Protect it hard, work on it every day, and never destroy it. It can take years to build and a day to destroy.”

    Christian was given a helping hand when PDN named him one of the top 15 photographers in 2003 and published one of his wedding images on the cover in 2004. From there things snowballed – his reputation grew quickly as he was soon being published by the likes of the New York Times, Town & Country and Vogue.  Then in 2007, American Photo named him one of the top 10 wedding photographers in the world, raising his profile rapidly.

    Amanda Gleason & Chris Fry Wedding

    He says, “Developing relationships with publications and nowadays blogs, is a great way to get your work, and your name, out into the wider public arena. Every photographer should be trying to get their work published – it’s free advertising. People who are looking for a photographer do read photo credits.”

    Building your brand

    Stressing the importance of building your business in tune with your clientele, he talks about his own recent experience of rebranding his business for that exact reason. “Put yourself in their shoes and ask yourself who are they, what do they like, what stores do they frequent? Create your ideal client and design your business/branding around that sample person.”

    Christian’s rebranding project included a totally redesigned logo, new name and new website. Only two months after the new brand was launched, he saw his bookings increase three-fold.

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    Client experience

    Christian has a full-time sales person, a studio manager, three photo editors, a designer and digital tech staff. He says having someone dedicated fully to looking after his clients has had a huge impact on building his studio. “Being at the top end of the market I have to act accordingly. These top level clients are used to receiving superior service wherever they go…and it’s no different when they come to us.” Christian says his new sales person has also played a major role in the increase in his bookings.

    Offering quality products

    With that strong focus on the quality of the photography and client experience, the products Christian offers must naturally be of the same superior quality. Choosing Queensberry was a matter of trial and error. He initially tried several different album companies but settled on Queensberry because of the consistent quality and positive response from his upscale clientele.

    So any last advice Christian? “You’re an artist, you’re in business, so find a way to create a balance between the two.”

    Check out Christian’s new website and portfolio here

    Cheers, Nigel

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    Four of us went out for dinner in Auckland on Sunday. When we arrived they gave each of us a fresh oyster in a spoon. It was part of the welcome … even before they asked us if we’d like a drink.

    There were four problems.

    One of us is pregnant and can’t eat shellfish.

    One of us doesn’t like shellfish.

    One of us didn’t like that the oysters were sitting in vinegar (albeit a fancy Chardonnay vinegar … it was a very flash restaurant).

    The fourth ate one because it seemed rude not to.

    Four oyster lovers would have been in some kind of heaven, but this was an extra mile in the wrong direction. Shades of those strangers in your viewfinder.

    How far Which way is the extra mile?

    Cheers, Johannes

     

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  • I watched a video on DWF by Jesh de Rox (“Client Connections”).

    Everybody loves Jesh, and “Jesh loves everybody” … Actually there are probably a few photographers who don’t “love Jesh” because they don’t know him … Possibly fairer to say, ‘To know him is to be loved by him” … and we all know that love works best as a two way street.

    He talked about getting couples to show their love to you, the photographer.

    You cannot do it without trust.

    And you cannot do it without first giving them some love of your own. How profoundly simple but true!

    Johannes

     

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  • Abraham LincolnThe Gettysburg Address is 279 words. A blog makes one point per post, so surely we can do it in less. Here’s our style guide:

    If we write 2-300 words maximum, ideally a hundred, maybe you’ll tolerate more from us occasionally. Images are good.

    You should be able to get the main point in the first 2-3 lines and know from that whether you want (or need) to read on.

    We should be brief and to the point, confident and authoritative, direct, good humoured and friendly. Short sentences. Never corporate! If you can’t read it aloud without feeling awkward, it’s not ready yet.

    How are we doing?

    Cheers, Ian

    PS 110 words, including these.

     

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  • Customer service edicts state that the customer is always right. Sometimes we disagree … out of self defense. We don’t like the implication that because the customer is right then we must be wrong. We defend our innocence and integrity! 

    Step back for a moment.

    There is a principle in Tai Chi that states that you can use your adversary’s energy on themselves.

    Imagine saying the customer is always right. If you stop defending yourself and ask the client for a realistic solution to their own problem (a solution that, if they were you, they would see as fair)  you move away from being wrong in their eyes to being right. Potentially you can avoid conflict and move into resolution.

    Sometimes the customer is in fact wrong. And then you need to measure the real benefits of needing to win! Needing to win is not how successful businesses earn the love of their clients.

    Sometimes the photographer is wrong. I know of a wedding photographer who missed a wedding (about as wrong as you can get). He did so much right for the couple that they now insist that all of their friends use him.

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  • At the seminar I mentioned recently the presenter prefaced anything that might sound critical with, “I know this doesn’t apply to you, but…”

    So, I know this doesn’t apply to you, but… Tony Bramley had this to say about Johanne’s last post:

    “There have always been crap photographers. Even in the days of film our old lab used to tell us of terrible exposures etc.

    “It’s just there are more of them with digital cameras who think they can do a professional job in a very amateur way. If they don’t know their trade and tools they are not professionals. As a printing company as well as an album supplier, you need to accept that a certain percentage of your customers are going to be poor at what they do and cause you some grief. Unfortunate but a reality.

    “Good professional photographers have two schools of thought on this. It puts us, in customer perception, at a higher level with good value at a higher price for excellent work. However it does give the profession a bad name… I suggest charging extra for particularly bad images that require extra work and you could make some extra money!”

    When I asked, Johannes didn’t disagree with Tony’s main point, but said:

    “Before they invented pixels (ending the era of the unforgiving nature of film) it was more important to get it right in camera … The magical art of pixel massage has reduced the need to ‘get it right first time’. The expression, ‘We can fix it in the computer’ has led to lazy photographers. If people were able to incorporate those early capture ethics of exposure, composition and posing first up they would save themselves a lot of pain and time.

    “Getting it right in camera may not seem as important to the new generation of the ‘forgiven’, but in truth it is more important than ever. There will always be crap, I agree. That’s a good thing. That is what makes the average look better, and the better than average look exceptional.”

     

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  • lucy Johannes posted a quote from The Velveteen Rabbit by Margery Williams on his blog.

    It’s about what it takes, what it means, to be real.

    Are you in fashion photography or reality photography?

    Cheers, Ian

    PS Surprise surprise, that’s a question, not an opinion.

    PPS Jo and Johannes (not sure which) took the picture. And that’s our grand-daughter with Lucy :)

     

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