Queensberry Connects


Posts Tagged ‘Marketing’

1.4 million people have seen this movie already, but don’t let that stop you. A few days after selling out Boston’s Symphony Hall, one of the world’s best violinists went busking with his Stradivarius for 43 minutes in a DC metro station. A thousand people streamed past. A handful stopped, nobody clapped … and he made $32.

Grab a coffee and read Gene Weingarten’s story in The Washington Post. He arranged the performance as “as an experiment in context, perception and priorities”.

Do I want to make a cheap marketing point out of this? Not really, but it makes you think.

Cheers, Ian

PS Sal Criscillo told Marg Straw who told Johannes van Kan who told me. We’d love you to tell us what you notice.

 

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  • “Previously we were offering albums we knew our competitors were also offering, but we’ve realised we can use the album to separate us from our competitors.”

    That quote from Nigel’s interview with the Youngrens reflects Queensberry’s key message to photographers and it got me thinking…

    A while ago I posted about album companies in trouble – and not hitching your own wagon to dying stars. Today I’m suggesting you be wary of the latest and greatest too ;)

    In the US and UK markets of 2000, Queensberry albums were revolutionary because we hand-made every album to order. That meant photographers, for the first time, could custom-design albums to suit their imagery … and actually get them made.

    Another revolution quickly followed, what we now call digital albums, coffee table books, flush mounts, magazine albums, whatever.

    Both these “revolutions” were fruits of the digital revolution, an impossible dream come true!

    A constant stream of digital albums now progresses through our Bindery. Many of them are beautiful – and we feature some of them here.

    But…

    But a mindset has developed in some quarters that “digital albums, coffee table books, flush mounts, magazine albums” are all there is.

    Check out forums like DWF and notice how infrequently matted albums are mentioned, and how badly most album planning software handles them (generally via drag and drop templates).

    If you agree with the Queensberry Rules, that mindset represents a real opportunity for Queensberry clients and anyone else who believes in standing out from the crowd.

    And unfortunately for professional photographers, press books may be great but they’re everywhere. What was unimaginable a decade ago is now commonplace. As you can tell from the number of start-ups and labs getting into the game, the downwardly spiralling prices, and the fact that any amateur and part-timer can now design and order the books themselves for very little money.

    So be careful building your business around press books, indeed any generic presentation. It could be a bit like saying that you want to join the crowd, not stand out from it, that you intend to compete on price, not quality and service. A mistake, in our opinion, especially if your goal is to build a long-term career.

    That doesn’t mean there isn’t a place for press books. There absolutely is. We live and compete in the real world. If I was a photographer I would offer them. Probably.

    But if they define your business you’re competing with the bottom of the market, not the top. And that’s a tough, crowded neighbourhood.

    Cheers, Ian

     

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    I just made a couple of new friends, Jeff and Erin Youngren from San Diego… And it took all of a couple of minutes.

    Stephen and Danny first met these guys at WPPI in Vegas, and we’ve been in touch ever since. You may remember our post about their new website and promo video so I asked them to share some of their experiences around online marketing, business and their album strategy.  But it was their philosophy, not only to business, but to life, that dominated the conversation.

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    Let’s be friends

    Jeff and Erin had just returned from a holiday to Walt Disney World in Orlando, Florida, with past clients of theirs when we spoke. That’s pretty normal they reckon.

    “We are very much driven by relationships and we love the relationships we build with our clients. We could probably count on one hand the number of clients we’re not still in regular contact with.”

    Jeff and Erin have built their entire business on referrals and photograph a maximum of 20 weddings each year, leaving them more time to invest in getting to know couples before their weddings. So what’s the benefit?

    “We’re in this for the relationships … When couples initially come to meet us it’s almost like an interview for a friendship. We don’t just want a business arrangement, we want a relationship.

    “We feel it’s also important that our clients know who we are, so they feel comfortable and relaxed, and open up in front of the camera.”

    Jeff recalled several occasions where they’d already met their clients’ families and friends before the wedding, simply because they’d become such good friends and been involved in their wider lives.

    “When the guests are expecting us or already know us, we’re seen as friends, not just photographers. That makes our job so much easier! It really allows us to be able to step back and photograph the moments as they unfold without our clients or their families even realizing we’re there. They trust us because of the relationship we’ve already built.”

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    Marketing

    Head to Jeff and Erin’s new website and you’ll land on their promo video. The idea of the video was to tell their story as photographers, and people, to potential clients within minutes of first visiting their website. They charged videographer Anton Lorimer of Lorimerworks out of San Francisco, California with capturing their personalities, and ‘getting prospective clients to feel like they know us in less than three minutes’.

    “We felt a video was the best way for couples to immediately and effectively get to know us as people and photographers. We wanted people to have a clear picture of who we are, and be drawn to us. It’s  intriguing for potential clients to see us before they see our work. It encourages them to go deeper into our website and blog and learn more about us, and our art.”

    Although working with Anton was a breeze, the website and branding was a different story. They’re over the moon with the result, but Jeff says if he had to do it all over again he’d travel a much straighter road. In other words?

    “Hire an absolute pro and spend a bit more money.

    “Things really came together when we found the designer that clicked with our vision. It definitely took a lot of work to get here, but it’s probably one of the most important things to get right.  It is integral for our brand strategy for everything to have the same feel – from the website to our blog to our business cards to our logo. We wanted everything to be really consistent.”

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    Facebook

    I knew their marketing efforts wouldn’t stop at a flashy new website and promo video, and they seemed like the Facebook type.

    “Facebook is great because it allows us to feature our work and personalities in front of a large readership and to keep reminding people of the cool things we’re up to. Lots of people don’t read blogs, and probably don’t even know what RSS is, but they’re on Facebook six hours a day.”

    Facebook really fits with Jeff and Erin’s branding. Interestingly, they interact only through their personal profiles, but for good reason.

    “We don’t have a business page or profile on Facebook. Everything comes from our personal pages. For example, when we post a gallery of a recent wedding, it’s on our personal page. We’re very conscious of crossing the line between personal and commercial interactions. Having personal profiles allows us to be seen as photographers sharing their photography life and images, rather than marketing our business. People know when they’re being marketed to, and we really want to avoid giving that feeling.”

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    Being yourself

    Erin says that the key to developing your online personality is to always be authentic.

    “No matter what medium you choose to engage in, you have to be yourself. Your customers crave authenticity and can spot a fake in an instant. It’s more important than ever to do your best to find out what’s remarkable about you and your style, and then find a way to tell everybody in a real, authentic way.”

    Jeff has some simple but good advice about finding yourself as a photographer and defining your shooting style.

    “You’ve just got to go out there and shoot, shoot, shoot, in order to develop your photographic style. A friend of mine told me you need to shoot over 100,000 images to discover what that style is. If you haven’t broken a shutter on your camera, you haven’t found your style yet!”

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    Albums

    As Queensberry newbies, Jeff and Erin are in the process of developing new album offerings that will become a major focus of their business.

    “Albums are extremely central to the transition we’re going through right now. Previously we were offering the same types of albums we knew our competitors were also offering, but we’ve realized we can use the album to separate us from our competitors.

    “We want to create albums that simply blow people away and we want them to feel expensive and valuable. Our quest for the perfect fit eventually led us to Queensberry.”

    I like the analogy Jeff uses to explain the album options they’re planning to offer their clients.

    “We look at Queensberry albums as the Mercedes Benz of the industry, and we want to treat our albums like cars in a showroom. When you go into a Benz dealer, there’s only a couple of models, but they’re the best you can get!

    “They’re all fully loaded with the latest gadgets and everything in them is of the finest quality. We want our clients to only have a few options too,  and for those options to be the best you can get. They need to feel like they’re getting something really valuable. We’ve spent a lot of time and energy developing our craft in taking photographs, and we want our albums to add to that value in a huge way.”

    The Youngrens work hard to educate their clients about the quality of their photographic work and emphasize their unwavering commitment to providing them with the absolute best customer service possible. So we’re glad they felt Queensberry fit perfectly into their story.

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    How to be successful?

    Here’s what Jeff and Erin left with me…their three tips to success:

    • Be Honest to Yourself. Figure out who you are and what makes you unique, and build your business from the start around that. Your brand is more that just your colours or logo or website. It’s much closer to the core of you than many people think.
    • Be Authentic. Once you’ve figured out who you are, resist the temptation to be something you’re not. Be confident in your uniqueness and market yourself around that.
    • Be Generous. Make your business about helping people and invest yourself into the growth of other photographers.

    Cheers, Nigel

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    It’s hard to compete … We’ve seen a massive influx of photographers from Eastern Europe charging very low prices and supplying reasonable products.

    I understood the impact of this EU “migration” in British hotels and restaurants, but I honestly hadn’t thought about the impact on photographers (Jo and Kirsten will be shaking their heads!).

    Even so I feel that this kind of competition is always with us … in one form or other.

    The purpose of outstanding presentation is to add value to your photography. That’s why, whoever you use, your albums must help you stand out in the market.

    If you can’t think of five reasons why people should choose you, there’s probably only one: you’re cheap. Said differently, differentiate or drop your prices.

    But here’s the thing: if you agree with that sentiment, you’ve ruled out most suppliers in the market.

    Two final thoughts… If you’re interested I posted a series of emails early this year on dealing with the recession and album-based marketing.

    And as my last post demonstrated, QBY has exactly the same challenge.

    Cheers, Ian

    PS Comments invited!

     

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    Changing to Queensberry is like changing my Ford Focus for a top range Audi … Not sure many people are going to cope with that.

    Depends what you mean by “many”. But certainly we never expect most people to choose Queensberry. Products that differentiate need to be aspirational (ie more people want them than can have them). That applies to your own “products” too, of course.

    In business, rather than ask how much something costs, it’s useful sometimes to ask how much it’s worth. And how it positions you in your market.

    There were 42 album companies at Focus this year … something must be going right for them all.

    Not necessarily. There used to be dozens of little oil companies, car companies and computer companies too. Right now the barriers to entry for digital book companies are very low. Things will get shaken out. And you didn’t even mention the very cheap press books you can buy from Apple and goodness knows where else.

    Many of the old UK companies make a very good living from supplying their legacy products.

    It didn’t pan out for Spicer Hallfield. My post was simply to suggest that you think twice before hitching your wagon to products or companies that may be in a long, slow decline.

    Cheers, Ian

    PS Comments invited!

     

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  • Prompted by the unfortunate demise of Spicer Hallfield, which was once the UK’s foremost album manufacturer, I emailed our list in the UK yesterday. The gist of my message was that their ex customers should think twice before choosing a replacement supplier – especially if their gut reaction was to look for someone offering a similar product at a similar price.

    My email generated quite a lot of enquiries for Sonya’s team, plus some feedback that I thought I’d discuss over the next few days. But let me start with the tough one…

    Someone called my email an “unbelievable bit of ambulance chasing”.

    Hmm, I’d agree if we were offering discounts to ex Spicers customers, or matching their prices for six months.

    As it is, ALL we offered was something to think about, which I’m personally happy to stand by.

    You can read what I said here. (And when we first heard the rumours, I touched on some of the same points here.)

    Cheers, Ian

    More feedback tomorrow.

     

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    Late last year Ian and I caught up with award winning photographer Bruce Gabites at his new Auckland studio. He’d just won his eighth straight Kodak Gold award  in the Wedding Album category, and we wanted to find out his secret…

    We spent a morning talking with him about why he enters photography competitions and what makes him so successful, the affect winning awards has on his business, and albums – the part they  play in his packages, and how he goes about selling them.

    To listen to our interview with Bruce Gabites click here (22 mins).

    Cheers, Nigel

    PS Bruce recently shared some good advice about dealing with complaining clients with us. Click here to read it.

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    Johannes has been posting on Queensberry Connects for several months now. It’s been great to have a regular photographer perspective, and personally we’ve found his insights and opinions inspiring.

    We asked him to contribute to our interview series by sharing his thoughts on album design.

    In the conversation, Ian asks him to expand on several posts he’s written about the benefits of getting to know your clients before the wedding, and his ”six secrets” to designing a great album…

    He also questions Johannes about how he interacts with his clients, his workflow and the part Photoshop plays.

    To listen to our interview with Johannes click here.

    And here’s an album we featured recently on Queensberry Connects.

    Cheers, Nigel

     

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  • Pre-wedding engagement shoots are fairly common these days – but Michelle and TJ Getz of Getzcreative go one step further and offer their clients post-wedding shoots too.

    These post-wedding ”Creative Sessions” allow them to offer a distinctive and creative photography session without the pressures of the wedding day.

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    For example, Michelle shot Lauren and Josh’s wedding in October 2008 in South Carolina and the couple are working with Michelle to put together their Queensberry wedding album (they’ve nearly doubled their page count from 18 to 30 pages!).

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    But Lauren and Josh also purchased this beautiful little feature album of their after-wedding shoot. For this particular shoot, TJ did some intimate shots in the bedroom at the end of the session. Josh, a US Airforce pilot, loved the images so much he wanted a special album to take with him when he leaves for duty again soon.

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    Michelle designed them this beautiful 8×8 digital Vanilla Bean Micro Leather album featuring some of their favourite shots.

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    Cheers, Nigel

    To view a slideshow of Lauren and Josh’s album click here.

    To view Getzcreative’s profile click here.

     

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    None Found

    If you’re finding this year tough, and you’ve said, or thought, what’s wrong, I’m not doing anything different… right there may be your problem.

    Just as things changed when you switched from film to digital, or PC to Mac, or Nikon to Canon, things have changed with the end of the party economy…

    Have you heard how much the Las Vegas convention industry is suffering because it’s not a good look for corporations to go there to “party” when times are tough?

    This is probably not the best time to be selling party souvenirs. Your work needs to be significant, worthwhile, to survive the end of the party economy.

    As I read Johanne’s longevity post last week it struck me that’s exactly how he and Jo present themselves. Telling stories about relationships intended to last forever, through albums and imagery designed to do the same… Creating treasured possessions that celebrate significant events, so they can be enjoyed, reflected upon and shared forever…

    Cheers, Ian

     

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