Queensberry Connects


Posts Tagged ‘Clients’

rankines

On my trip to the UK I had the opportunity to visit the studio of Alan and Jackie Rankine. Their work is aimed at a high end market. Their sales are substantial. They don’t aim to be the latest newest thing. They do work to stay current but they have cleverly understood the needs of their clients.

Their formula is simple and effective. Know your clients, produce consistently good work, back up your promise to perform with the quality of your presentation (including coffee and cake), always have something bigger and better for the client to buy, and have your studio in a castle.

They don’t chase the latest trends, and in fact just strive to do what they do better each time. I enjoyed meeting them and hope they prosper in their next season.

Cheers, Johannes

 

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  • While talking to photographers in the UK, I realised that what I really wanted to get across, was a simple but important message.

    The album is for the clients. Our part is to gather collateral and write a story for them.

    Here’s the tip: Step back from the design and pause deliberately… Then start  with the idea that this album is not a showpiece for you, the photographer, but is a story for the bride and groom.

    We can apply our own ‘signature’ to the imagery, but they own the love and the history that we’re writing the story about.

    We are the story tellers, and it’s our sensitivity to them that makes it (the story) so precious.

    It’s their story. Not ours.

    Peace

    Johannes

     

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    Simon Whitten of SMW Photography has an interesting perspective on timelessness. He says the albums he’s designing today should have looked current ten or twenty years ago, not just years into the future. That’s the real test of timelessness, he says.

    That philosophy underlies his approach to album design – simple and uncluttered.

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    We’ve featured Simon’s work on Queensberry Connects before, but we grabbed this album for the beautifully simple design and the thought behind it …

    He created a 14×10 Duo album for clients Charlotte and James and also made a stunning 18×10 Silk display sample for the studio.

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    Simon says, “An album for me is simply a device for presentation and preservation. Its design, through its simplicity, should enhance the images.”

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    Cheers, Nigel

    Click here to view a slideshow of Charlotte and James’ album.

     

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  • Well not always, and she hasn’t said it that way … but Ida does often “change” before she goes out in public.

    How is it that dressing your children can have so many possibilities and attract so much attention?

    Jo prefers things that “go together”. I like things that make a statement about the day. I imagine that I am Ida and wonder what she would  choose if she hadn’t yet realised that you can’t wear stripes with spots and didn’t even know how to say, let alone spell, “fashion disaster”. Maybe I am wrong and maybe she does realise. One day she will tell me how I ruined her life (as only teenagers can) or maybe she will say that she felt understood.

    But this is such an opportunity to make brave and bold fashion statements and dress a little person in a way that you wished you might dress yourself.

    But it does raise the question about who is making the statement.

    Of course this is really about albums. When we break the rules we do it for the right reasons … not to make a personal “fashion statement” but because it is the thing that needs to be done. We do it for our clients, not for our own twisted sense of satisfaction. People come to us for our creativity and sense of style, and when we apply that to making their album we consider the album’s future life ahead of all else.

    Think of it like  this. Queensberry make albums that last. We want to make sure that what we put into it, and the way we put it in, will endure as well.

    Ida, (our daughter), on the other hand, has a whole bunch of interesting clothes that will only last a month or so before she grows out of them … But with photographers as parents there may be damning evidence of our fashion impositions.

    Cheer, Johannes

     

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  • 23

    Meet Dave and Alianor, a tattoo artist from Atlanta, and a Catholic girl from Michigan.

    Tim Will shot their wedding in Atlanta last year. I could tell you about how the bridal party smoked and drank heavily before the ceremony, or that they carried guns with their names inscribed on the handles, or that the bride married in black. But I won’t. Tim’s images can do the talking…

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    Instead, I’d rather highlight this album as a great example of how an anything-but-traditional wedding can fit so beautifully into a Queensberry.

    We’re proud that our albums are so flexible and diverse. And that our album design software, Photojunction is the enabler to create an album as traditional or contemporary as you want.

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    But that’s only half of the equation. The other half is how you go about presenting and selling that album to your clients – finding a way to appeal to the clients in front of you.

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    I asked Tim how he went about it with Dave and Alianor. But apparently the product just spoke for itself!

    “I know you’re looking for some great method I employed to sell this album, but it just happened on its own. The product spoke for itself and basically left me with nothing to do. They fell in love with your flushmount style of album.

    “They might be non-conformists, but they’re just as sentimental as the rest of us. They saw the value in spending money on a wedding album, and saw the quality of a Queensberry album as worth more.

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    “Out of all the albums I showed them Queensberry was the best fit. It’s great to know that your products are still contemporary enough for a tattoo artist and his wife.”

    Thanks for sharing Tim – a beautiful album.

    Cheers, Nigel

    Click here to view a slideshow of Dave and Alianor’s album.

     

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  • wed08_ccreid069

    Four years in, and Suzanne Black could teach a lot of people a lot of things…especially about marketing and surviving when times get tough.

    I had a chat with her about what she thinks are the keys to success, how she turns 90% of her enquiries into bookings and why albums are so important to her business.

    Positivity is contagious.

    Suzanne is feeling positive right now. I haven’t heard that response to a question about the state of the economy in a long time, but after chatting I’ve decided describing her as “positive” is an understatement…

    She says, “In the current climate I think it’s more and more important to sell yourself to the client in a positive way. If your clients do a side-by-side comparison of packages and photographers, you’re never going to win. You’re just a number.”

    Instead Suzanne believes in creating an individual identity. Focusing on building your business so people remember something about it, rather than just your price.

    “It’s really important to keep a positive attitude because clients can really sense it,” Suzanne says.

    “Personally I keep a really positive attitude, especially when speaking to clients and building on the relationships I already have with vendors, venues and previous clients. People can sense your attitude straight away and the last thing you want are potential clients sensing a negativity about you.”

    Suzanne told me how clients tell her of other photographers they’ve seen, who never stopped talking about what everyone else was doing, or how bad the economy is right now.

    “Avoid listening to all the doom and gloom out there and refuse to let negativity creep into your business.”

    Good advice.

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    Picking and Choosing

    Suzanne started off low in terms of pricing, with the intention of building a good solid foundation to grow her business from. Four years later, grown it has. She says she’s now at the middle to high end of the market in her area in terms of pricing, but it took hard work, planning and and a specific strategy to get there.

    “When I first started out I sat down and worked out which part of the wedding industry I wanted to operate in. I didn’t think I could be, nor did I want to be, all things to all people. I identified who I wanted as my target brides, and marketed specifically to them.”

    With the help of CPT, Suzanne has developed some great marketing skills and defined her business brand so much that she now books nearly every client who comes to see her. Her explanation?Really knowing who my clients are and engaging with them before I meet them.”

    The album’s role

    Suzanne offers Queensberry albums in all of her packages. In fact, they’re key to what she offers, and she says the majority of her clients select additional images for their wedding album.

    “While obviously the photography is important, I believe the final presentation of the images is equally important. Albums play a huge part in my business. A beautiful custom designed album is all part of the service that I provide.”

    Not only does she exclusively use and love Queensberry’s albums, she’s a huge fan of our accessory range. In fact she says it’s very rare for her not to sell at least two digital copy albums from every wedding.

    Suzanne also makes use of Queensberry’s print and assembly service as she works on her own. “It leaves me with more time to be out shooting or marketing my business,” she says.

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    Innovation

    Digital Copies aren’t the only accessory album that Suzanne uses though. With a bit of creative thinking, Suzanne uses another product from our accessory range to get her photos in front of guests at weddings.

    “I wanted a product that would show off my images at the actual wedding to all the guests. I decided that Queensberry’s Demi albums would be perfect to showcase a selected number of images the couple chose from their engagement shoot. I get those images made up into a Demi album that guests can sign at the wedding – and my images get exposure.”

    Suzanne was the first client to come up with the idea and unsurprisingly, it’s caught on with plenty more clients since.

    Last Words?

    Tell us what you consider your top three keys to success?

    “Know your clients. Recognise that an exisiting client is far easier to market to than a new one. And have a positive attitude – don’t listen to all the doom and gloom out there!”

    Her final thoughts summed up her approach to business, and life, really well I thought…

    “We’ve come through some recent years where work has been easy to find. I think it will have made quite a few people complacent. As I’ve said before attitude is key, and I look forward to the challenges the next few years bring.”

    Cheers, Nigel

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    Press books – I agree with everything you say. At Focus I had a great conversation with Danny who suggested that ‘everyone’ did digital, ie it was commonplace with suppliers but that Duos were the really unique albums. I agree. Aren’t QBY digital albums really just a fancier, more expensive press-book? Again, that’s not meant to be insulting, I’m just trying to add to the conversation. FWIW, I’ve stopped offering digital albums (other than mini copies) and will move to a Duo only offering for next season.

    No offence taken. I love our digital albums, and so do many of our clients. I believe ours are as good as they get and I don’t think either of us intends to belittle them. But as one of my favourite marketing books, Differentiate or Die, says, you can’t win on “quality”. On that basis Hyundai probably beats Alfa Romeo, but we all know it’s not that simple. Quality doesn’t differentiate. It’s necessary but not sufficient.

    I’m not trying to talk you out of your decision but if I ran a studio I would probably include a digital album (flushmount for the visitors) and I would think seriously about press-books too. But I would not want them to define me.

    I used to say in seminars, “If you can’t think of five things that differentiate you there is probably only one – price.”

    Cheers, Ian

     

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  • I got an email from Mark Miller today, and he’s happy for me to share it and comment.

    I wanted to let you know how much I’ve been enjoying Queensberry Connects lately, specifically the posts about how QBY albums differentiate us as photographers from our competition and the idea that press-books are everywhere. I have a couple of comments/questions that I hope might add to the conversation:

    1. QBY albums differentiate us as photographers – my clients love my (your) albums but they don’t know who Queensberry are (I tell them all about you ‘You’re the best in the World’ etc), but I don’t think they really care too much about the album brand. In the last 3 or 4 years I’ve only ever been asked once by a prospect if I use Queensberry albums. So my question is, “Should Queensberry be doing more to promote the brand with Brides?” Please understand, I’m not saying you should, I just wondered how that idea fitted into the ‘differentiation’ concept.

    That’s a great thought and I’m glad you raised it, but I think I’ll pass…

    OK, three comments ;)

      1. Name recognition isn’t vital, I guess. The key moment is when the prospect walks in, sees something awesome they’ve never seen before, and thinks, “Wow”.
      2. Laphroaig, Hermes, Moleskine, Prada, Lexus, Apple, Mac (make-up) – I’m picking some of the brands Heather and I like – don’t just advertise to retailers, they advertise to us. To drive business to the retailers.
      3. But the thought of an album company promoting to “the brides” makes a lot of photographers nervous. I guess it’s a (lack of) trust thing.

      More from Mark tomorrow

      Cheers, Ian

       

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    4. When people contact us about their wedding, if they are doing a general search, they most often ask, ‘How much to shoot our wedding?’

      Eventually they get around to ‘What do I get?’ and finally ‘Are you available?’

      This email just came in. It says it all really.

      To whom it may concern,

      Would it be possible to be sent a full price list of your wedding packages?

      Thanks,
      Justin

      We all want our clients to care, because it is the caring that makes them better clients.

      So what are we selling?

      Are we selling a product at a price?

      Are we selling our ability to make great photographs?

      Are we selling our ability as a digital artist?

      Are we selling our ability to tell a good story  (the one where the Princess wore white and the Prince was dashing – off to a wedding) and somewhere there is a happy ever after?

      Here at Moda we are selling something for them to care about.

      We are selling them more than just photography.

      We have photographs that show our skills.

      We have stories that talk about our experiences.

      We have albums that show our ability to put together a good fairy tale.

      We have a studio that reflects our attention to our clients’ needs and our drive to be our best.

      We are not selling 400 images in a box, two enlargements and an album with 20 sides.

      We are selling them an experience.

      How much should that cost?

      The next question is how do we get our clients to recognise that?

      Cheers, Johannes

       

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      Photography? (But what does that mean)

      Entertainment? (Couldn’t afford the clown for the party)

      Documentation? (Recording content for a historical document)

      Memories? (Least we forget)

      Glamorisation? (See, the bride can look glam with the right dress, makeup, hairdo, and some photoshop!)

      Impressionism? (To impress the neighbours)

      Fairytaleism? (Living the dream)

      Then you might ask, what are each of these worth in the final package?

      It would be an interesting exercise to give each a percentage value. And then think about those percentages, and ask yourself – not what are you selling, but what is your client buying?

      Nigel had a great post on The Junction about a washing machine that sold on New Zealand auction site TradeMe. … If you read the listing (and comments – well worth it if you feel like a break) you’ll see it wasn’t a washing machine but in fact a “time portal” … obviously worth much more than a cranky old machine … So it sold for over five grand after 806,219 page views.

      Are your clients buying what you think they are? Could you change that?

      Hugs

      Johannes

       

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