Queensberry Connects


Posts Tagged ‘Albums’

More from Mark Miller:

Press books – I agree with everything you say. At Focus I had a great conversation with Danny who suggested that ‘everyone’ did digital, ie it was commonplace with suppliers but that Duos were the really unique albums. I agree. Aren’t QBY digital albums really just a fancier, more expensive press-book? Again, that’s not meant to be insulting, I’m just trying to add to the conversation. FWIW, I’ve stopped offering digital albums (other than mini copies) and will move to a Duo only offering for next season.

No offence taken. I love our digital albums, and so do many of our clients. I believe ours are as good as they get and I don’t think either of us intends to belittle them. But as one of my favourite marketing books, Differentiate or Die, says, you can’t win on “quality”. On that basis Hyundai probably beats Alfa Romeo, but we all know it’s not that simple. Quality doesn’t differentiate. It’s necessary but not sufficient.

I’m not trying to talk you out of your decision but if I ran a studio I would probably include a digital album (flushmount for the visitors) and I would think seriously about press-books too. But I would not want them to define me.

I used to say in seminars, “If you can’t think of five things that differentiate you there is probably only one – price.”

Cheers, Ian

 

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  • When people contact us about their wedding, if they are doing a general search, they most often ask, ‘How much to shoot our wedding?’

    Eventually they get around to ‘What do I get?’ and finally ‘Are you available?’

    This email just came in. It says it all really.

    To whom it may concern,

    Would it be possible to be sent a full price list of your wedding packages?

    Thanks,
    Justin

    We all want our clients to care, because it is the caring that makes them better clients.

    So what are we selling?

    Are we selling a product at a price?

    Are we selling our ability to make great photographs?

    Are we selling our ability as a digital artist?

    Are we selling our ability to tell a good story  (the one where the Princess wore white and the Prince was dashing – off to a wedding) and somewhere there is a happy ever after?

    Here at Moda we are selling something for them to care about.

    We are selling them more than just photography.

    We have photographs that show our skills.

    We have stories that talk about our experiences.

    We have albums that show our ability to put together a good fairy tale.

    We have a studio that reflects our attention to our clients’ needs and our drive to be our best.

    We are not selling 400 images in a box, two enlargements and an album with 20 sides.

    We are selling them an experience.

    How much should that cost?

    The next question is how do we get our clients to recognise that?

    Cheers, Johannes

     

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  • tupp1bis_01Tupperware ‘fan boys’ are everywhere. Prodding the skeptical, hosting Tupperware parties, and enthusiastically trying to convince their peers of the benefits.

    Their argument: Once you try it, you’ll understand.

    And most people do. The experience of using Tupperware’s product is usually enough to quickly switch a sceptic’s loyalties, and soon enough they’ll be passionately promoting the product themselves.

    That’s (loosely) Tupperware’s business model, and you can see how it would have a snowball effect. They’ve built a brand around positive customer experience and word of mouth marketing.  As a result, they’re different.

    There are a couple of lessons we can take from their approach. Nothing new, but pertinent all the same…

    Give your clients an amazing experience (whether it be through your service or via the products you offer) and they’ll talk (that equals referrals for you). BUT you need to be different to be noticed in the first place.

    We can only advise you about the service part, but the product bit is the reason we’re in business. Queensberry’s job is to make you look amazing in a world where too often everything looks the same.

    Cheers, Nigel

     

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  • qb_interview_075 qb_interview_10 qb_interview_13

    I just made a couple of new friends, Jeff and Erin Youngren from San Diego… And it took all of a couple of minutes.

    Stephen and Danny first met these guys at WPPI in Vegas, and we’ve been in touch ever since. You may remember our post about their new website and promo video so I asked them to share some of their experiences around online marketing, business and their album strategy.  But it was their philosophy, not only to business, but to life, that dominated the conversation.

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    Let’s be friends

    Jeff and Erin had just returned from a holiday to Walt Disney World in Orlando, Florida, with past clients of theirs when we spoke. That’s pretty normal they reckon.

    “We are very much driven by relationships and we love the relationships we build with our clients. We could probably count on one hand the number of clients we’re not still in regular contact with.”

    Jeff and Erin have built their entire business on referrals and photograph a maximum of 20 weddings each year, leaving them more time to invest in getting to know couples before their weddings. So what’s the benefit?

    “We’re in this for the relationships … When couples initially come to meet us it’s almost like an interview for a friendship. We don’t just want a business arrangement, we want a relationship.

    “We feel it’s also important that our clients know who we are, so they feel comfortable and relaxed, and open up in front of the camera.”

    Jeff recalled several occasions where they’d already met their clients’ families and friends before the wedding, simply because they’d become such good friends and been involved in their wider lives.

    “When the guests are expecting us or already know us, we’re seen as friends, not just photographers. That makes our job so much easier! It really allows us to be able to step back and photograph the moments as they unfold without our clients or their families even realizing we’re there. They trust us because of the relationship we’ve already built.”

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    Marketing

    Head to Jeff and Erin’s new website and you’ll land on their promo video. The idea of the video was to tell their story as photographers, and people, to potential clients within minutes of first visiting their website. They charged videographer Anton Lorimer of Lorimerworks out of San Francisco, California with capturing their personalities, and ‘getting prospective clients to feel like they know us in less than three minutes’.

    “We felt a video was the best way for couples to immediately and effectively get to know us as people and photographers. We wanted people to have a clear picture of who we are, and be drawn to us. It’s  intriguing for potential clients to see us before they see our work. It encourages them to go deeper into our website and blog and learn more about us, and our art.”

    Although working with Anton was a breeze, the website and branding was a different story. They’re over the moon with the result, but Jeff says if he had to do it all over again he’d travel a much straighter road. In other words?

    “Hire an absolute pro and spend a bit more money.

    “Things really came together when we found the designer that clicked with our vision. It definitely took a lot of work to get here, but it’s probably one of the most important things to get right.  It is integral for our brand strategy for everything to have the same feel – from the website to our blog to our business cards to our logo. We wanted everything to be really consistent.”

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    Facebook

    I knew their marketing efforts wouldn’t stop at a flashy new website and promo video, and they seemed like the Facebook type.

    “Facebook is great because it allows us to feature our work and personalities in front of a large readership and to keep reminding people of the cool things we’re up to. Lots of people don’t read blogs, and probably don’t even know what RSS is, but they’re on Facebook six hours a day.”

    Facebook really fits with Jeff and Erin’s branding. Interestingly, they interact only through their personal profiles, but for good reason.

    “We don’t have a business page or profile on Facebook. Everything comes from our personal pages. For example, when we post a gallery of a recent wedding, it’s on our personal page. We’re very conscious of crossing the line between personal and commercial interactions. Having personal profiles allows us to be seen as photographers sharing their photography life and images, rather than marketing our business. People know when they’re being marketed to, and we really want to avoid giving that feeling.”

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    Being yourself

    Erin says that the key to developing your online personality is to always be authentic.

    “No matter what medium you choose to engage in, you have to be yourself. Your customers crave authenticity and can spot a fake in an instant. It’s more important than ever to do your best to find out what’s remarkable about you and your style, and then find a way to tell everybody in a real, authentic way.”

    Jeff has some simple but good advice about finding yourself as a photographer and defining your shooting style.

    “You’ve just got to go out there and shoot, shoot, shoot, in order to develop your photographic style. A friend of mine told me you need to shoot over 100,000 images to discover what that style is. If you haven’t broken a shutter on your camera, you haven’t found your style yet!”

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    Albums

    As Queensberry newbies, Jeff and Erin are in the process of developing new album offerings that will become a major focus of their business.

    “Albums are extremely central to the transition we’re going through right now. Previously we were offering the same types of albums we knew our competitors were also offering, but we’ve realized we can use the album to separate us from our competitors.

    “We want to create albums that simply blow people away and we want them to feel expensive and valuable. Our quest for the perfect fit eventually led us to Queensberry.”

    I like the analogy Jeff uses to explain the album options they’re planning to offer their clients.

    “We look at Queensberry albums as the Mercedes Benz of the industry, and we want to treat our albums like cars in a showroom. When you go into a Benz dealer, there’s only a couple of models, but they’re the best you can get!

    “They’re all fully loaded with the latest gadgets and everything in them is of the finest quality. We want our clients to only have a few options too,  and for those options to be the best you can get. They need to feel like they’re getting something really valuable. We’ve spent a lot of time and energy developing our craft in taking photographs, and we want our albums to add to that value in a huge way.”

    The Youngrens work hard to educate their clients about the quality of their photographic work and emphasize their unwavering commitment to providing them with the absolute best customer service possible. So we’re glad they felt Queensberry fit perfectly into their story.

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    How to be successful?

    Here’s what Jeff and Erin left with me…their three tips to success:

    • Be Honest to Yourself. Figure out who you are and what makes you unique, and build your business from the start around that. Your brand is more that just your colours or logo or website. It’s much closer to the core of you than many people think.
    • Be Authentic. Once you’ve figured out who you are, resist the temptation to be something you’re not. Be confident in your uniqueness and market yourself around that.
    • Be Generous. Make your business about helping people and invest yourself into the growth of other photographers.

    Cheers, Nigel

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    Forget about boxing, here are the Queensberry Rules for photographers!

    1. Outstanding presentation adds enormous value to your photography.

    2. Using the same albums as everyone else reduces the value of your photography.

      Ask anyone in the street how much a stack of prints is worth, or a disc of images, or a slideshow. Everyone’s been to the mini lab, or burnt a disk, so the answer is, “Not much”.

      What you’re paying for when you hire a professional, of course, is their time, skill and artistry. Focusing on the presentation takes nothing away from that. It simply places the photography in a new context where it can be better valued and respected.

      Cheers, Ian

       

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    4. 239_2

      Late last year Ian and I caught up with award winning photographer Bruce Gabites at his new Auckland studio. He’d just won his eighth straight Kodak Gold award  in the Wedding Album category, and we wanted to find out his secret…

      We spent a morning talking with him about why he enters photography competitions and what makes him so successful, the affect winning awards has on his business, and albums – the part they  play in his packages, and how he goes about selling them.

      To listen to our interview with Bruce Gabites click here (22 mins).

      Cheers, Nigel

      PS Bruce recently shared some good advice about dealing with complaining clients with us. Click here to read it.

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    8. We are about six weeks off having a child … holy moley!

      Actually, Jo is pushing for an early arrival …

      Our child will do no wrong, and it will certainly never vomit or cry inappropriately.

      We know this because we’ll be the proud parents and our pride will blind us to our newborn’s shortcomings.

      Or maybe it’s love, not pride…

      Stepping down a level, our pride in our albums, the stories they tell, and their look and feel, help us to talk passionately (not blindly) about them.

      It’s our passionate gestures and words that gives our pride a voice.

      It’s infectious.

      Only six weeks!!!!!!! (or less)

      Johannes

       

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    12. Tom Waits has a cranky, croaky voice.

      I am listening to his CD ‘Orphans Brawlers and Bastards’ as I write this post.

      You could argue that his voice lacks ‘quality’ … The words are often run together, mumbled, and broken.

      That collection of imperfections is the quality that makes his work so unique.

      It’s a different type of ‘quality’ to the one we describe to sell our albums. We talk about the personal elements in the creation of the book. We talk proudly of the craft involved and the quality of the raw materials used in the album construction.

      We do this because we are proud of their perfections and attention to detail.

      Tom Waits, on the other hand, uses the imperfections of his voice/singing  to sell his albums.

      Cheers, Johannes

       

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    16. In their vows they used the word ‘forever’, or possibly ‘until death us do part’.

      Of course they weren’t talking about their wedding album.

      But as a reflection of that fabulous day, where they promised everything to each other, you would surely expect their album to align with their personal version of ‘forever’.

      We sell this idea to our clients. We tell them that this is why we use Queensberry.

      Longevity is a double edged sword. Longevity refers to the physical life of the album and its contents.

      It also refers to the enduring nature of the design and imagery. Read as ‘simple is good’.

      We talk about how we want the album to be appreciated now, and in ten, or twenty years time.

      We share these thoughts with our clients to explain what makes our Queensberry albums special.

      Hugs, Johannes

       

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    20. It’s not all bad out there you know! There are plenty of people doing better than ever, even considering the recession. So over the next few weeks we’re bringing you a series of interviews with clients who are doing just great. We’ll share their advice, ideas and opinions as they give us some insights into how they’re successfully running their businesses. Here’s the first.

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      He’s been recognised as one of the world’s best photographers, serviced clients like the New York Times and Apple Computer, photographed celebrities such as Alec Baldwin, Amanda Peet, Isabella Rosselini and Donald Trump,  regularly had his work published, and he has a 19th floor New York studio. Christian Oth is about as “high” as you can get!

      So I caught up with him to ask what it’s like at the top and how he got there. He also shared his thoughts on the economy, re-branding, albums and having a full time sales person…

      No easy road to the top

      Studying at the Manhattan International School of Photography, Christian started out with no plans but lots of ideas. All he knew was that he wanted to invent something new and different.

      “There’s no easy road to the top” he told me. “I tried my hand at everything from fashion to commercial to war photography before finding my niche in wedding photography. It was those hard times when I was struggling to pay the bills that enabled me to take those experiences and merge them into something different.”

      His business seemed to grow organically as he continued to gain recognition, eventually finding himself at the top end of the market. It was then he realised he had  ”quite a title to live up to”, so he shifted his focus to work harder on quality in every possible way; not only the photography, but also the client experience.

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      “The main thing that saved me from going down the same road as more traditional photographers was to challenge the conventions of the time and come up with something new. I guess I was kind of arrogant about it initially, but my clients loved the attitude and were thirsting for someone to do things differently.”

      What drove him at the beginning is still prevalent in his approach today…

      “In many ways I’m still a loner – I still don’t like to listen to any popular attitudes about wedding photography, but a few of my ideas worked really well and we expanded on them.”

      Reputation matters

      He counts much of his success to his reputation. In fact, he told me he considers his reputation to be his position of strength right now during the recession. “The most important and useful thing any photographer can do is to build their reputation.

      “Protect it hard, work on it every day, and never destroy it. It can take years to build and a day to destroy.”

      Christian was given a helping hand when PDN named him one of the top 15 photographers in 2003 and published one of his wedding images on the cover in 2004. From there things snowballed – his reputation grew quickly as he was soon being published by the likes of the New York Times, Town & Country and Vogue.  Then in 2007, American Photo named him one of the top 10 wedding photographers in the world, raising his profile rapidly.

      Amanda Gleason & Chris Fry Wedding

      He says, “Developing relationships with publications and nowadays blogs, is a great way to get your work, and your name, out into the wider public arena. Every photographer should be trying to get their work published – it’s free advertising. People who are looking for a photographer do read photo credits.”

      Building your brand

      Stressing the importance of building your business in tune with your clientele, he talks about his own recent experience of rebranding his business for that exact reason. “Put yourself in their shoes and ask yourself who are they, what do they like, what stores do they frequent? Create your ideal client and design your business/branding around that sample person.”

      Christian’s rebranding project included a totally redesigned logo, new name and new website. Only two months after the new brand was launched, he saw his bookings increase three-fold.

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      Client experience

      Christian has a full-time sales person, a studio manager, three photo editors, a designer and digital tech staff. He says having someone dedicated fully to looking after his clients has had a huge impact on building his studio. “Being at the top end of the market I have to act accordingly. These top level clients are used to receiving superior service wherever they go…and it’s no different when they come to us.” Christian says his new sales person has also played a major role in the increase in his bookings.

      Offering quality products

      With that strong focus on the quality of the photography and client experience, the products Christian offers must naturally be of the same superior quality. Choosing Queensberry was a matter of trial and error. He initially tried several different album companies but settled on Queensberry because of the consistent quality and positive response from his upscale clientele.

      So any last advice Christian? “You’re an artist, you’re in business, so find a way to create a balance between the two.”

      Check out Christian’s new website and portfolio here

      Cheers, Nigel

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