Queensberry Connects


Posts Tagged ‘Albums’

The other day we received an invoice from Queensberry and my wife (the fabulous Jo Grams) exclaimed, ‘Crikey!’ (she’s Australian). It was a lot of money for an album! Too much?

We talked about it and came to the conclusion that we were getting what we were paying for. We want to give our clients the best we can deliver. This means many things, not the least of which is getting them the best albums we can. We could reduce our personal costs by using less expensive covers, mounting systems, and not getting the full colour service, BUT would the outcome still fit into the requirement of giving our clients our best?

We could reduce our expectations by saying that we want to give our clients the best average quality work that we can, reducing our costs and quality to save money. Or we could charge accordingly and educate our clients on the benefits of what we are giving them.

This is what we do! We pay for what we get, and we charge for what we give.

Cheers, Johannes

 

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    We have made it an important part of our branding effort to be associated with the right suppliers … by association we maintain and even improve our credibility. We emphasise why we use Queensberry  albums when we talk to people, and are able to prove it in the presence of their (Queensberry’s) branding.

    One difference between our Queensberry album and our neighbour’s one is that we also brand it with our company logo. This is unique to us. We also apply our own creative processes to the imagery. We have a Moda Fotografica look that is completed by the use of these amazing books.

    us and them

    Queensberry and Moda Fotografica Logos in our albums

    We are unique because we have our own vision. Presenting that vision in a Queensberry book implies a choice based on quality. The Q is a mark of excellence. It is subtle but there for those that know and care.

    Our brand is more obvious and we have made it into something to be recognised and sought after.

    Johannes

     

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  • Andrew Gardner posted a thoughtful comment on a recent post of mine in which I talked about a member of the public asking if I would sell her a Queensberry album. He’s concerned that Queensberry’s aim to build their brand amongst brides might turn the albums into a commodity and encourage discounting (eg “click here for cheapest QBY albums!”) His thoughts probably reflect the concerns of many photographers. He says,

    Obviously we can’t be complacent and we should always be thinking of unique and original ways to make ourselves stand out. But I have a niggling feeling that what Queensberry thought would help us out will actually work against us.

    Certainly the request I received smacks of a search for a commodity. It is the inevitable outcome of the Shoot and Burn mentality where brides end up with files and nowhere to put them.

    It is up to us to make the difference. Yes the Queensberry album is wonderful, but it is the story told within its pages that makes the difference.

    The importance of the story can never be overemphasised. Like a Queensberry, a Moleskine is a lovely book of empty pages until you start writing truths in it … that’s when it becomes something personal, valuable, and meaningful.

    When people come to you as a photographer it is because you are what they are looking for. If Queensberry has done its job right your potential client will recognise your use of Queensberry products as a mark of excellence.

    As the channel by which one must purchase a Queensberry product photographers have the opportunity to impact the outcome of that purchase by adding their own influence. We are dealing with that situation ourselves with somebody who had a commercial photographer friend shoot their wedding. They wanted a Queensberry album but their friend washed his hands of any responsibility beyond handing over the files.

    Nobody can stop the bride from hunting down the best price … we certainly know that brides do the same when trying to get a photographer. This part of human nature will always surface. Resourceful brides are inevitable and if they consider the album a commodity – and possibly also the photographer who handed them their digital files – at that point we, rather than Queensberry, are in control of the situation.

    The sad truth is that there will also always be a ‘resourceful’ photographer willing to turn Queensberry products into commodities. But I understand that Queensberry does not look on that behaviour favourably. It is in their interest to look after you, the channel, because without you they are just a good looking, but storyless, book seller.

    Cheers, Johannes

     

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    We received this email today:

    Hi,
    I am looking to buy a queensberry album 15×15, black leather with names embossed on the front. I think you can only buy these albums through photographers and I was wondering if you sell them?
    Thanks,

    This email confirms two things for us

    That (1) amongst the general public there is an awareness/recognition of, and a demand for, the Queensberry brand, and (2) that Queensberry are not selling direct to the public.

    Both of these things validate our choice of Queensberry as our album supplier.

    Enough said

    Cheers, Johannes, Moda Fotografica

     

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  • L15_2-j0810 071026copy1copy1We have discovered a new range of Photoshop plugins that allows us to put the soul (which we forgot to put in while shooting) back into our imagery.

    Because these soulful images are our unique selling point, I can’t tell you where we found them.

    With this set of plugins we are able to take a loveless bride and groom and turn them into passionate beings. We are able to take an indiscreet glance and turn it into the look of love. We are able to take monochromatic feelings and turn them into a fiercely burning fire … all with the help of some photoshop and a couple of plugins.

    It’s not true! That’s the thing.

    The most important thing in the imagery … the soul of the image … cannot be added later.

    Where do you find the soul in the imagery … it lives in the people that populate your work. I cannot emphasise enough how important this is to the imagery we put into our albums. Emotion always wins over a dramatic landscape.

    To create the emotion we nurture trust with our clients, and to get the soul (in its simplest form) we let the bride and groom focus on being together over being in front of our camera.

    There is no easy answer and it certainly doesn’t exist in Photoshop as a filter.  As much as technology plays a dominant role in the new age of wedding photography there is that thing which technology cannot ‘create’ and strangely it is the thing that is most important.

    Best, Johannes

     

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  • While talking to photographers in the UK, I realised that what I really wanted to get across, was a simple but important message.

    The album is for the clients. Our part is to gather collateral and write a story for them.

    Here’s the tip: Step back from the design and pause deliberately… Then start  with the idea that this album is not a showpiece for you, the photographer, but is a story for the bride and groom.

    We can apply our own ‘signature’ to the imagery, but they own the love and the history that we’re writing the story about.

    We are the story tellers, and it’s our sensitivity to them that makes it (the story) so precious.

    It’s their story. Not ours.

    Peace

    Johannes

     

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  • I’ve packed my bags and shed a tear (as I leave my family) and right now I’m eating airline food and watching all of the movies I can as I jet over to the UK for a speaking series for Queensberry.

    It all started with a stranger walking into my studio and being curious. Liz from the MPA was on her last days of travel in  New Zealand and happened to find our studio. We had a conversation and what do you know … I’m off to the UK with MPA.

    I’m going to talk about me and all of the things I did wrong to get to where we are now … because I know so much on that subject.

    I’m going to talk about albums … because I love telling stories and we just won another wedding album award.

    I’m going to talk about how we fixed the recession (for us) … by being respectful and disrespectful.

    I’m going to talk about business … because otherwise the rest of what we do makes no sense.

    And if there is any time I want to talk about taking/making better photographs.

    And when I’m not talking about  me, albums, business, recessions, better photographs or my family, I’m going to get in some stuff about Photojunction.

    If I’m not covering the thing you want to know about then leave a comment on this post and I’ll see what I can arrange.

    If you are coming along make sure you say Hi.

    If you want to come along but haven’t booked there’s probably room for one more.

    Ian Baugh is coming along as my chaperone … it’s going to be great.

    Cheers

    Johannes

     

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  • Well not always, and she hasn’t said it that way … but Ida does often “change” before she goes out in public.

    How is it that dressing your children can have so many possibilities and attract so much attention?

    Jo prefers things that “go together”. I like things that make a statement about the day. I imagine that I am Ida and wonder what she would  choose if she hadn’t yet realised that you can’t wear stripes with spots and didn’t even know how to say, let alone spell, “fashion disaster”. Maybe I am wrong and maybe she does realise. One day she will tell me how I ruined her life (as only teenagers can) or maybe she will say that she felt understood.

    But this is such an opportunity to make brave and bold fashion statements and dress a little person in a way that you wished you might dress yourself.

    But it does raise the question about who is making the statement.

    Of course this is really about albums. When we break the rules we do it for the right reasons … not to make a personal “fashion statement” but because it is the thing that needs to be done. We do it for our clients, not for our own twisted sense of satisfaction. People come to us for our creativity and sense of style, and when we apply that to making their album we consider the album’s future life ahead of all else.

    Think of it like  this. Queensberry make albums that last. We want to make sure that what we put into it, and the way we put it in, will endure as well.

    Ida, (our daughter), on the other hand, has a whole bunch of interesting clothes that will only last a month or so before she grows out of them … But with photographers as parents there may be damning evidence of our fashion impositions.

    Cheer, Johannes

     

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  • wed08_ccreid069

    Four years in, and Suzanne Black could teach a lot of people a lot of things…especially about marketing and surviving when times get tough.

    I had a chat with her about what she thinks are the keys to success, how she turns 90% of her enquiries into bookings and why albums are so important to her business.

    Positivity is contagious.

    Suzanne is feeling positive right now. I haven’t heard that response to a question about the state of the economy in a long time, but after chatting I’ve decided describing her as “positive” is an understatement…

    She says, “In the current climate I think it’s more and more important to sell yourself to the client in a positive way. If your clients do a side-by-side comparison of packages and photographers, you’re never going to win. You’re just a number.”

    Instead Suzanne believes in creating an individual identity. Focusing on building your business so people remember something about it, rather than just your price.

    “It’s really important to keep a positive attitude because clients can really sense it,” Suzanne says.

    “Personally I keep a really positive attitude, especially when speaking to clients and building on the relationships I already have with vendors, venues and previous clients. People can sense your attitude straight away and the last thing you want are potential clients sensing a negativity about you.”

    Suzanne told me how clients tell her of other photographers they’ve seen, who never stopped talking about what everyone else was doing, or how bad the economy is right now.

    “Avoid listening to all the doom and gloom out there and refuse to let negativity creep into your business.”

    Good advice.

    10089suzanneblackcow2 10089suzanneblackrw31

    Picking and Choosing

    Suzanne started off low in terms of pricing, with the intention of building a good solid foundation to grow her business from. Four years later, grown it has. She says she’s now at the middle to high end of the market in her area in terms of pricing, but it took hard work, planning and and a specific strategy to get there.

    “When I first started out I sat down and worked out which part of the wedding industry I wanted to operate in. I didn’t think I could be, nor did I want to be, all things to all people. I identified who I wanted as my target brides, and marketed specifically to them.”

    With the help of CPT, Suzanne has developed some great marketing skills and defined her business brand so much that she now books nearly every client who comes to see her. Her explanation?Really knowing who my clients are and engaging with them before I meet them.”

    The album’s role

    Suzanne offers Queensberry albums in all of her packages. In fact, they’re key to what she offers, and she says the majority of her clients select additional images for their wedding album.

    “While obviously the photography is important, I believe the final presentation of the images is equally important. Albums play a huge part in my business. A beautiful custom designed album is all part of the service that I provide.”

    Not only does she exclusively use and love Queensberry’s albums, she’s a huge fan of our accessory range. In fact she says it’s very rare for her not to sell at least two digital copy albums from every wedding.

    Suzanne also makes use of Queensberry’s print and assembly service as she works on her own. “It leaves me with more time to be out shooting or marketing my business,” she says.

    wed08_acdotto320 wed08_ccreid083

    Innovation

    Digital Copies aren’t the only accessory album that Suzanne uses though. With a bit of creative thinking, Suzanne uses another product from our accessory range to get her photos in front of guests at weddings.

    “I wanted a product that would show off my images at the actual wedding to all the guests. I decided that Queensberry’s Demi albums would be perfect to showcase a selected number of images the couple chose from their engagement shoot. I get those images made up into a Demi album that guests can sign at the wedding – and my images get exposure.”

    Suzanne was the first client to come up with the idea and unsurprisingly, it’s caught on with plenty more clients since.

    Last Words?

    Tell us what you consider your top three keys to success?

    “Know your clients. Recognise that an exisiting client is far easier to market to than a new one. And have a positive attitude – don’t listen to all the doom and gloom out there!”

    Her final thoughts summed up her approach to business, and life, really well I thought…

    “We’ve come through some recent years where work has been easy to find. I think it will have made quite a few people complacent. As I’ve said before attitude is key, and I look forward to the challenges the next few years bring.”

    Cheers, Nigel

    sbpguestbook005 sbpguestbook007

     

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    Needing to is defined by ‘it won’t work unless you read the instructions.’

    One of the weaknesses in Photojunction is its simplicity and a sense that you can work it out just by using it. Some of us would have it no other way.

    But that means there is a tendency to apply the status quo approach to it. It is too easy to write off something because you had a bad experience with previous versions. Ultimately we can become neglectful of progress through our established habits.

    I had a conversation over dinner with another photographer last night.

    They said that they exported their albums to another program to get better clarity in their slideshows … They had no idea that PJ was able to export slideshows in HD.

    There are several problems in play here. Firstly there is a modesty in the creators of Photojunction that means that they seldom stand on a rooftop and announce to the world what they have really achieved (not in an in-your-face way).  Secondly there are PJ users who have developed bad habits that are difficult to change. And thirdly there are people who do not pay attention when upgrades are announced and certainly don’t make the effort to watch the accompanying movies.

    So here is the water … imagine you are the horse … You know what to do next.

    Cheers, Johannes

     

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