The Queensberry Blog


Think of the best stuff you ever had. The best meal, the best coffee, the coolest shoes, the wittiest tee-shirt … a fantastic book store, those amazing heirloom tomatoes.

The people who provide you with amazing stuff are obsessive.

Yes, they want to sell you something, but it’s their obsession that drives them and makes them outstanding.

There’s a lot of obsessiveness in a beautiful album too, from the photography and design to the printing and binding.

Every now and then we remind the obsessive people who work at Queensberry that our business is “not about the albums”.

Sometimes we remind photographers that it’s not about the photography either…

Because it’s not.

Our business is about the people in the viewfinder. You. Your stories. Your special moments.

So if you’ve chosen a photographer who’s driven to be the best they can be, congratulations! You need someone like that, who obsesses about camera models and available light and pixels and ICC profiles and software that makes your eyes cross!

But if your photographer also understands that, as one professional put it, people photography is about people, not about photography, you’re on the way to a beautiful album that you can “enjoy, reflect upon and share forever”.

Cheers, Ian

On 4 September 2009 Margaux and Renzo married in a civil ceremony in the French town of Amiens before heading off to Geneva (Switzerland) to continue the festivities with their guests.

Photographer Christophe Flers was there to capture their extended wedding celebration and designed this 18×10 Duo, his very first Queensberry.

To watch a slideshow of Margaux and Renzo’s wedding album click here.

To see more images from Margaux and Renzo’s wedding click here.

Cheers, Nigel

The first thing you need in a wedding photographer is that they show up on the day. Simon Whitten gets from Venice to London under an ash cloud …

Thursday AM

I am wrapped up in a honeymoon photo-shoot with clients in Venice when my phone rings: “Have you heard the news? – UK air space is being shutdown this evening from 7pm”.

Oh dear … we are booked on a flight that afternoon to get back to the UK with a clear full day between our shoot in Venice and a wedding on the Saturday.

The airline Jet2.com’s website is useless, as are their emergency contact numbers. Not a single one of their phone numbers work as all of the Press this number now options have been disabled.

Thursday PM

Go to the airport for further info. Of course there’s none … and no one there from Jet2.com.The phone lines still don’t work and both of the single internet connections in Marco Polo airport are out of order.

Brainwave: book a flight now with Easyjet from Venice to Paris, then get home on the cross channel Eurostar train service.

Get photographers Steve Ramsden and Ryan Browne on standby to cover the Saturday wedding. (Steve was already committed to another job, but big thanks to Ryan for covering if needs be).

Get last flight out of Venice to France, the last flight to land in Paris before French airspace is shutdown at 11pm, approximately five minutes after we land.

Closer to the UK, but not there yet!

Close to midnight and we need internet connection in Orly airport … fine if you bought pre-paid access from the shop before it closed at 10pm! Sweet-talk a charming lady at an info desk, who hands over her computer with internet connection.

But Eurostar is booked solid for the next 3 days … Calais to Dover ferry is also booked solid for foot passengers for the next two days … but space is still available for car passengers.

Attempt to book car.

Every car rental in Paris area is booked out.

The airport closes and we lose our internet connection.

Find hotel. It’s 178 euros a night, but at 1.00am, we barter to 148 euros (we
need their wifi connection).

We spend all night checking every conceivable option open to us and in the end manage to book a lunchtime ferry from Cherbourg, 200+ miles away, to Portsmouth in the UK.

Only problem is, the train that will get us there is booked out and not showing any availability for rest of day.

Other options considered:

1: Book a car with a compulsory return-to-Paris option, but dump in it Cherbourg.

2: Negotiate with the night porter for his brother to drive us to Cherbourg. Negotiations break down over costs (he wants 500 euros).

3: Break and enter a WWII Normandy landing museum to steal an amphibious vehicle.

4: Apply for jobs as cleaners on ferry and jump ship on arrival in the UK.

5: Jump on the back of a lorry and enter the UK as legal illegal immigrants.

Friday AM

Go to train station and manage to book lunchtime tickets to Cherbourg and change our ferry tickets from the lunchtime to the evening ferry.

Friday PM

Evening ferry is late, but eventually, just after 11.00pm, we reach England, where a car is waiting.

Saturday AM

I get back home at 5.30am and manage 2-1/2 hours sleep (after 1-1/2 the previous night) before spending all day shooting a wedding.

The irony of the story is that the vicar failed to make the wedding, and the ceremony had to be taken by the curate. Where was the vicar?

Stuck in Venice!

You know you’ve got something good when the professionals gather round to admire.

Last year American photographers Michael and Anna Costa had us design this Tangerine leather 18×12 Duo album for them to show on their speaking tour around the US.

We liked it so much that we featured the album on our own website and made a couple more samples to take to WPPI (USA) and FOCUS (UK), the biggest trade shows for professional photographers in their respective markets.

Part of the appeal of these albums is definitely the tangerine cover, chosen to echo the colour theme of the wedding. It was a show-stopper at WPPI, but as with any Queensberry the real focus is inside, where the ivory Duo pages were a perfect match for the sun-filled Mexican setting.

After their tour we received this note from the Costas: “I wanted to tell you the album is drop dead gorgeous. The hundreds of people that saw it absolutely loved it! It couldn’t have got a better response… There’s just nothing quite like a Queensberry album. Because people got to hold it and flip through it in person, they really recognised the difference we have been talking about in our sessions…”

We appreciate the praise, but we don’t deserve it all by any means. A beautiful album like this … which will last for generations … is always a collaboration – between us, a photographer and clients with a story to remember.

Click here to view a slideshow of Michael and Anna’s album.

Cheers, Ian.

We came across this swag of albums via a link that Aussie Jonathan Dear of Vibrant Photography left of on our Facebook page.

He’s had a lot of albums arrive lately and decided it was about time he started to photograph and blog them… We agree because there’s nothing quite like seeing the real product.

Here’s a taste of what Jonathan and his team have been up to. More images and details on Jonathon’s blog.

Cheers, Nigel

UK photographer Andrew Coulter says…

“It’s a bit silly really.  We get all these albums in from Queensberry,  turn them around as quickly as possible and send them straight on to the clients.”

So like many of our clients, he’s started keeping a record  by photographing and blogging his albums before they leave the studio. Here’s his first – Jodie and Andy’s Cocoa micro leather 14×10 Duo.

To see more images of Jodie and Andy’s album click here.

Cheers, Nigel

We initially came across these two albums by UK photographer Binky Nixon via a comment one of her brides left on our Facebook page

Bride and groom Wani and Ayo had a strong red colour theme through their wedding so decided to go for classic cherry leather for their cover….

And Gemma and Matt went for an old favorite Contemporary leather in the Earth shade.

Click here to see more of Binky’s work on her blog.

Cheers, Nigel

Here’s the latest addition to True Photography‘s studio sample range…

A striking 18×12 Claret Silk Duo album of Nazila and James’ wedding –  designed by Queensberry and shot by Aaron Feldman.

We plucked it from the Bindery just before it shipped off to the States and grabbed a few shots to share with you.

To view a slideshow of  True Photography’s sample album click here.

Cheers, Nigel

Today’s feature is a 12×12 Chocolate Brown Leather album by US photographer Amelia Tarbet whom we recently met at WPPI…

Before handing it over to her clients Angela and Manny, she kindly snapped a few shots of it for us to share with you :)

To see more of Amelia’s Queensberry albums check out her blog.

Cheers, Nigel

Girls, here’s a tip.

Go out and buy yourself a nice big folder. The ring binder type is good. Something that you can keep adding to.

Call it your ‘Wedding Folder’.

The only reason I know anything about this is because Kayla bought a ‘Wedding Folder’ the day after we got engaged. And the only reason I’m talking about it is because it became our most important wedding planning resource.

Kayla divided it up into sections – receipts, ideas, booking forms, correspondence, stationery… that kind of thing.

In that folder went everything even remotely related to our wedding: pictures of dresses, hair styles, suits, cakes, flowers etc that we liked.

Info packs from venues we’d visited, emails from suppliers we were using, receipts for every-single-little-thing we bought.

Copies of all our stationery, fabric samples of dresses and copies of our vows and speeches.

That folder became our wedding bible and the single most helpful wedding resource we had. Having everything in one organised place in a form we could take to consultations, rehearsals and family meetings, meant no mis-communication or second guessing. About anything.

Now our wedding is over, our wedding folder has become like a journal, telling the story of the path we travelled.

We’ll treasure looking through it, pulling out our invites, laughing at the amount on the receipt for the dress (instead of sweating about it), and remembering one of the most exciting, scary, frustrating and enjoyable times in our life.

Trust me, you’ll come to obsess over, and love, that Wedding Folder.

Cheers, Nigel